The problem of plagiarism is actively being discussed in academic and administrative circles. However, a similar sounding phenomenon of self-plagiarism has not achieved the proper disclosure, although it is widespread in the scientific community(both global and domestic). In this article we will attempt to examine the nature of self-plagiarism, identify the reasons behind its existence, and describe ways to deal with it.
The article is an analysis of the intertextuality in some E. Jelinek's and F. Kafka's literary texts.
The article is devoted to the study of the paradigmatic connections of Marina Tsvetaeva’s early poetry with the German poetic tradition of the second half of the 18th century, which is based on a comparative intertextual analysis of Marina Tsvetaeva’s “The Girl Death” and J. W. von Goethe’s “The Fisherman”. The analysis uses both other works of German poetry and the texts of Marina Tsvetaeva, to create the necessary context.
The purpose of this book is to teach students how to write extended essays in English. It is supplementary to the British course book ‘English for Academic Study: Extended Writing and Research Skills’ (Garnet Publishing Ltd.). It was designed for students , teachers and those who are interested in obtaining the skill of extended essay writing.
This article analyses the survey data related to the attitude of the academic staff and the students towards the penalties for plagiarism. It also considers various models of behaviour when the plagiarism cases are detected, and how they are approached and prevented at the HSE.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.