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October 30, 2026
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On October 16, 2026, HSE ICEF hosted the Eighth International Conference on Applied Economics. Held fully on-site, the conference brought researchers from HSE University, the New Economic School, Wuhan University, and Shandong University together in Moscow. The programme was organised around three overarching themes— ‘Environment, Resources and Policy,’ ‘Migration, Labour, and Communication,’ and ‘Consumption, Behaviour, and Climate—offering an opportunity to see how similar economic mechanisms operate in China, Pakistan, the United States, and Russia.
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Anastasiia Deeva studies the socio-economic consequences of excess weight in Russia. In an interview for the Young Scientists of HSE University project, she spoke about why beauty cannot be measured, her desire to write a novel, ‘Dostoevskian’ burnout, and working at the hotel where The Shining was filmed.
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'Cultural Studies Seeks to Understand What Lies Beneath the Surface of Everyday Things'
Maxim Zhiganov has been exploring different aspects of sound for many years—first in relation to his native Perm and then on a broader, global scale. In this interview for the HSE Young Scientists project, he talks about sound maps, the special issue of the journal Logos, and why it is important to make the familiar less clear and obvious.

 

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«Вчерашний день, часу в шестом…» Н. Некрасова. Альбомное стихотворение о государственном насилии, квартале красных фонарей и поэтической немоте?

Новый мир. 2022. № 8. С. 173–187.
Uspensky P., Федотов А. С.

The article analyzes the contexts of N. Nekrasov's classical poem. The traditional civil reading, in which it is generally accepted that Nekrasov portrays the public punishment of a woman, is significantly corrected in the article. We propose to see in this scene not so much political as erotic connotations, arising from the poetic imagination of the classical era, in which the act of punishing a woman was coupled with a sexual experience. This optics also allows us to consider Nekrasov's masterpiece as a poem about the "red light district" in St. Petersburg, associated with the tradition of obscene poetry. Finally, we consider the third context of the poem - the context of a personal album. The described contexts, in our opinion, explain why Nekrasov never printed his masterpiece during his lifetime.

Research target: Philology and Linguistics
Language: Russian
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Keywords: поэтикаpoeticsNikolay Nekrasovhistory of violenceистория насилияН.А. Некрасовполитическое насилиеэротизмPersonal albumличный альбомErotic literaturepolice violence
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