Об одном стихотворении Мандельштама: Древний Египет и Франсуа Виллон
The Tomb of Petosiris at Tuna el-Gebel and its ‘World of Doubles’: An Interpretation of the Monument in the Light of the Egyptian Elite’s Mood of the Early Hellenistic Time.
The article shows that the traditional scenes of defunct’s confronting deities in the chapel of the tomb of the priest Petosiris at Tuna el-Gebel near Hermopolis (late 4th century B.C.) are connected exclusively with the posthumous destiny of Petosiris’ relatives that died before him; the decoration of the pronaos that was dedicated to himself was marked with considerable Hellenization and reproduced the archaic model of the “World of Doubles” typical for private tombs of the Third Millennium B.C. Probably Petosiris urged to achieve the posthumous existence according to this model, independently of gods, as he thought it impossible to contact gods effectively in the early Macedonian time, when, in his ideas, there was no ritual sacral ruler in Egypt.
The article deals with an important problem of the world and Russian Egyptology, i.e. with the interpretation of a statement by the Alexandrian scientist of the 4th-5th centuries A.D. Theon on an era “after Menophris” (ἀπὸ Μενόφρεως) allegedly started at the beginning of the “Sothic period” in 1322/1 B.C. The first part of the article analyses the polemic on the identification of the name *Μενόφρις with a specific Ancient Egyptian royal name, with a special attention towards the positions of the Russian Soviet Egyptologists V.V. Struve and O.D. Berlev. The former one forwarded in 1920s was embedded in the world scholarship and contained a number of errors, which remained unnoticed due to a decline of the scholarly criticism at the period. On the contrary, Berlev’s position (1999) was totally original and in fact trail-blazing for the ultimate solution of the problem. The second part of the article proposes a development of Berlev’s position. The epithet “Memphite” (*Mn-nfry) that backed the name *Μενόφρις and was originally applied to Zoser, the inaugurator of the “Sothic calendar”, could be transferred on an image of a great king that reigned in Egypt after the catastrophe of the Amarna time. This king could be considered the founder of the “Memphite time” in Egyptian history, the creator of the “Sothic’ calendar” and respectively the contemporary of the start of a “Sothic period” (Theon’s “Menophris’ era”).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.