Морфологические средства выражения интенсивности признака
The article deals with the current tendency towards an increase in Russian speakers’ verbalized metalinguistic reflection on language and culture contact, generated by growing exposure to global English and the influx of Anglicisms. Of crucial importance to cross-cultural research are metalinguistic commentaries, in which lay speakers register their negative attitude to those borrowings from English which reflect cultural norms and values clashing with the system of traditional Russian cultural norms and values. This is defined as a "linguacultural clash" or "linguacultural conflict"; its negatively marked metalinguistic interpretation is seen as part of speakers' "linguistic self-defense".
In the paper, the classes of labile verbs (verbs which can be transitive or intransitive without any formal changes) are analyzed on the data of European and North Caucasian languages. The main conclusion is that there is a semantic difference between classes of labile verbs in the two language groups under analysis. In European languages, predicates with low semantic transitivity are labile (for instance, motion verbs and phasal verbs), while in Caucasian languages, lability is more characteristic of verbs with high semantic transitivity (verbs of destruction and similar verb classes).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.