Эпиграммы к миниатюрам в византийских рукописях
This article analyzes the images of Moscow in the icon Panegyric to Our Lady of Vladimir by Simon Ushakov (1668) and in the miniatures of the Book on the Election for the Most High Throne of Great Ruler, Tsar and Prince Mikhail Fyodorovich (1673). The author compares them with the presentation of Moscow as the sacred and political center of Russia in texts of the mid-16th through mid-17th century. By revealing the specific symbolic content of the image of Moscow in images and texts, the author concludes that in the 17th century, Moscow as a city as a whole and an aggregate of separate objects (sacred, historical, etc.) formed a “site of memory” (in accordance with Pierre Nora’s terminology) of Russian culture and identity.
On the basis of the critical analysis of previous experience of studying of the Old Russian miniatures accompanying annalistic texts, in article new approaches of the correct description and research of values and meanings of visual sources of retrospective information are offered.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.