Article
Историческое время и жизнь радикала: новые биографии Н.А. Добролюбова и Н.А. Некрасова
Apart from the public sphere and the norms set by society, the private sphere plays an important role in the lives of the disabled, including the personal experience of disability at a micro level: in their families, everyday routines and romantic relationships. In this chapter, issues of family structure are considered using a narrative analysis of interviews with women who use wheelchairs. Various cultural, social, economic and political determinants effect the formation of certain types of family structure and attitudes towards family life. At the same time, they interrelate with biographical factors that reinforce or weaken the limits of freedom and private life. Using narrative analysis, I demonstrate what role family plays in constructing the identity of a person with a disability, and how family members act as coauthors of individual biographies. This can be seen in those dilemmas of family life associated with the feelings, sexuality and emotional stability at the micro-level of the life experience and identification of women with disabilities.
Императора Александра I, несомненно, можно назвать самой загадочной и противоречивой фигурой среди русских государей XIX столетия. Республиканец по убеждениям, он четверть века занимал российский престол. Победитель Наполеона и освободитель Европы, он вошел в историю как Александр Благословенный - однако современники, а позднее историки и писатели обвиняли его в слабости, лицемерии и других пороках, недостойных монарха. Таинственны, наконец, обстоятельства его ухода из жизни. О загадке императора Александра рассказывает в своей книге известный писатель и публицист Александр Архангельский.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.