Акмеизм в провинциальной критике.
The article investigates the reception of asmeists in the russian provintial periodics of 1910-s.
The commentary to the novel K. Vaginov
This is a republication with comments and intriduction of a one scetch about the artistic cabaret "Vagrant dog"
Collection of articles in honor of Thomas Langerak
Notes of a Cavalryman (Zapiski kavalerista, 1915–1916) by Nikolai Gumilev are dedicated to the poet’s participation in World War I and reveal a deep influence of Tolstoy’s novel War and Peace. A brief analysis of the work leads to the conclusion that Gumilev on a superficial level often argued with Tolstoy’s concept of war. Nevertheless, on a deeper level he took cues from Nikolai Rostov not only by getting in the same situations as Tolstoy’s hero, but also by resembling Rostov’s psychological type. This consequently allows us to claim that during World War I, Nikolai Rostov was a model according to which Gumilev fashioned his own life.
In the article russian acmeism is considered in he context of the criticism of the 1910s
Acmeism and futurism in criticism
The article is a review of the literature on Acmeism
"Semiotics of Scandal" is the third collection of the series "Mechanisms of culture". It presents the materials of an international conference held at the Center for Slavic studies (Sorbonne, Paris). The authors, using different methodologies, analyze different forms of scandal as one of the dominant categories of the literary process, history, and politics.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.