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Introduction: Maksim Gor’kii and Vladislav Khodasevich: Aesthetics, Ideology, and Conflict
Slavic and East European Journal. 2018. Vol. 62. No. 4. P. 640–642.
Вайсбанд Э.
This forum explores the relationship between two major and very different
representatives of Russian turn-of-the-century literature: Maksim Gor'kii and
Vladislav Khodasevich.
Uspensky P., Париж: Éditions Tourgueneff, 2024.
Книга «Травма эмиграции: случай Владислава Ходасевича» совмещает филологическую и психологическую оптику. Обращаясь к письмам и снам поэта, его серьезным и шуточным стихам, критике и прозе, Павел Успенский рассматривает эмигрантский период жизни и творчества Ходасевича как длящуюся травму, которая и мучила поэта, и определяла созданные им шедевры. Книга выходит, когда Россия вновь разделилась на уехавших и ...
Added: April 11, 2024
Uspensky P., В кн.: Профессор, сын профессора. Памяти Н. А. Богомолова.: М.: Водолей, 2022. С. 545–551.
В статье рассматрвиается образ "слепого червя" из стихотворения Ходасевича "Путем зерна". Доказывается, что он восходит к топосу "старого/подземного крота", выражающего неотвратимость исторического движения. ...
Added: January 25, 2023
Polivanov K. M., Русская литература 2022 № 3 С. 243–245
n the article, evidence is presented to support the thesis that B. L. Pasternak’s cycle of poems
dedicated to Pushkin, A Theme with Variations, which quite obviously had suggested the title for the
poet’s fourth book of poetry, Themes and Variations, originated as a poetic response to V. F. Khodasevich’s
poem Episode, that the latter read in late ...
Added: October 29, 2022
Uspensky P., Шаги/Steps 2022 Т. 8 № 2 С. 187–204
The purpose of the article is to offer an explanation of the intertextual density characteristic of the poetry of Russian modernism. Intertextuality is viewed from two perspectives — the reader’s and the author’s. In terms of perceiving the text, intertextuality is not needed to «encode» the meaning of a work (according to Taranovksy’s and Ronen’s ideas, ...
Added: June 26, 2022
Вайсбанд Э., Slavic Review 2021 Vol. 80 No. 4 P. 769–791
With its central image of the old masturbator in the Berlin “underground” restroom, Khodasevich’s poem “Under the Ground” (1923) both shocked and fascinated its readers. Khodasevich’s intervention into two taboo themes in turn-of-the-century European culture—masturbation and public restrooms—is primarily self-reflexive, indicating his anxieties about the ambiguous place and status of a modernist poet and exploring ...
Added: February 6, 2022
Borzenko V., М.: Театралис, 2019.
В книге, основанной на документах и мемуарах, восстанавливается история дружбы и сотрудничества Максима Горького и Театра им. Вахтангова, начавшаяся с постановки спектакля по пьесе «Егор Булычов и другие». Некогда популярный сюжет с годами забылся, однако не утратил своей значимости. И сейчас, с высоты XXI века, являет собой интереснейшую страницу, как в истории Театра им. Вахтангова, ...
Added: November 18, 2020
Uspensky P., Русская литература 2020 № 2 С. 131–147
The article discusses the poetic formula of Vladislav Khodasevich’s Putiom zerna (Grain’s Way). It is argued that the phrase goes back to the New Testament and is associated with Biblical ideas of timeless values. The aim of the article is to show that the formula putiom zerna (grain’s way) is also tied to the Russian ...
Added: June 26, 2020
Tihanov Galin, INTERDISCIPLINARY STUDIES OF LITERATURE 2019 Vol. 3 No. 2 P. 209–224
This article examines Shklovskii’s previously overlooked engagement with a discursive domain we currently tend to refer to as “world literature;” as such, it is an original contribution not just to understanding A Sentimental Journey, arguably the richest part of Shklovskii’s 1920s memoir trilogy, but also to honing a transnational approach to his writing. While Shklovskii’s work has already been discussed ...
Added: December 8, 2019
Maslinskaya S., Maslinsky K. A., ILCEA. Revue de l’Institut des langues et cultures d'Europe, Amérique, Afrique, Asie et Australie (Франция) 2019 No. 36 P. 1–15
Beginning in the early 1920s, Bolshevik leaders proclaimed the need to radically revise the pre-revolutionary legacy of children’s literature and to create new Soviet books for children. In our paper, we seek to disentangle what factors played a role in the chances of legacy authors and works to be included in the limited selection of ...
Added: September 4, 2019
Polivanov K. M., В кн.: Acta Slavica Estonica X. Studia Russica Helsingiensia et Tartuensia XVI. Серебряный век в русской литературе и культуре конца XIX – первой половины XX вв. К 90-летию со дня рождения З. Г. Минц.: Tartu University Press, 2018. Гл. 16 С. 228–239.
The paper is devoted to the principles of quoting in the cycle of Anna Akhmatova's poems " Tajny Remesla" ...
Added: March 27, 2019
Вайсбанд Э., Slavic and East European Journal 2018 Vol. 62 No. 4 P. 663–684
In this essay, I analyze Maksim Gor'kii’s and Vladislav Khodasevich’s attitudes to Russian neo-peasant poetry as a formative aspect of their respective worldviews. Their partly shared approach was one of the underlying factors in their short-lived émigré rapprochement that seemed so unexpected given their different life experiences and literary backgrounds. Both Gor'kii and Khodasevich considered ...
Added: October 28, 2018
Orekhov B., Uspensky P., Файнберг В. В., Русская литература 2018 № 3 С. 19–53
This article describes the results of the application of network analysis to “Kamer-furʹerskij žurnal” by V. Khodasevich. The formalization of the contents of Khodasevich's émigré diary makes it possible to characterize the structure of the community of Russian emigrants. Several concepts about central and marginal émigré figures are elaborated by means of network analysis. Besides, the ...
Added: June 6, 2018
Вайсбанд Э., Slavic and East European Journal 2015 Vol. 59 No. 2 P. 249–269
This paper contextualizes Khodasevich’s unfinished poem “On Your New, Joyous Path” (1914–1915) as his poetic response to his precarious Russian-Polish-Jewish self-awareness as well as to contemporary Polish-Jewish tensions. I argue that for both predicaments, Khodasevich proposes an identical solution: the redemptive assimilation into Russian imperial, supranational culture. This vision crystallized during World War I. At ...
Added: April 13, 2018
Вайсбанд Э., Slavic Literatures (ранее - Russian Literature) 2016 Vol. 83-84 P. 55–90
This paper contextualizes Khodasevich’s poem ‘Slezy Rakhili’ (‘Rachel’s Tears’; 1916) and his article ‘Voina i poeziia’ (‘War and Poetry’; 1938) as his responses to World War I and to the Munich agreement, respectively. I contend that the First World War provided the impetus to Khodasevich for starting to write modernist poetry, in which he explicitly ...
Added: April 13, 2018
Uspensky P., Ignatiev D., Новый мир 2018 № 2 С. 185–195
В статье рассматривается жанровая специфика "Элегии" В. Ходасевича (связь не только с жанром элегии, но с жанром оды), а также поэтический диалог Ходасевича с литературной традицией начала 19 века. ...
Added: November 18, 2017
Kiseleva M., Вопросы философии 2017 № 11 С. 108–111
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Added: September 14, 2017
Kiseleva M., Человек 2017 № 2 С. 78–95
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Added: May 15, 2017
Pavel Uspenskij, / NRU Higher School of Economics. Series WP BRP "Literary Studies". 2017. No. 21/LS/2017.
This article suggests a literary analysis of “Renata’s End”, a memoir essay written by V. Khodasevich (1928), one of the key examples for understanding the particular nature of Russian symbolism. It is focused on the interpretation that Khodasevich gave to Petrovskaya’s life abroad. The author of the memoir looks at the life of his character ...
Added: April 4, 2017
Uspensky P., Новый филологический вестник 2017 № 3(42) С. 215–227
This article is dedicated to the influence of Heinrich Heine on the poetry of Vladislav Khodasevich. Although for Khodasevich the Russian literary tradition was more important than the European tradition, in his lyric poetry tangible influence of Heine’s poetry can be found. However, links to Heine in Khodasevich’s early poetry can be characterized as superficial ...
Added: April 4, 2017
Uspensky P., Новый филологический вестник 2017 № 1(40) С. 158–169
This article is dedicated to the influence of Heinrich Heine on the poetry of Vladislav Khodasevich. Although for Khodasevich the Russian literary tradition was more important than the European tradition, in his lyric poetry tangible influence of Heine’s poetry can be found. However, links to Heine in Khodasevich’s early poetry can be characterized as superficial ...
Added: April 4, 2017
Uspensky P., Известия РАН. Серия литературы и языка 2017 Т. 76 № 3 С. 5–22
In this article we will examine the influence of Alexander Herzen, perhaps the most famous Russian émigré of the 19th century, on the worldview of Vladislav Khodasevich and on the poetics of the latter's poetry written in emigration. In this study it will be shown that Herzen's relationship to the Europe of his day and its bourgeois values and political programs was ...
Added: April 4, 2017
Kantor V., Гефтер 2016 № 09.11.2016 С. 1–10
Когда говорят об оценке Степуном творчества Достоевского, то обращаются прежде всего к двум его последним статьям («“Бесы” и большевистская революция», 1957, и «Миросозерцание Достоевского», 1962) либо к рассуждениям в его мемуарах. Между тем первый текст Степуна о Достоевском («О “Бесах” Достоевского и письмах Максима Горького», 1913) вышел в удивительное, я бы сказал, ключевое время (накануне ...
Added: November 24, 2016