"Реалистический поворот" в современной эпистемологии, философии сознания и философии науки? Материалы круглого стола.
Author discusses the most important and controversial issues associated with the project of educational standards for high school: a paradigm shift from "vseobuch" to "actionism", the need for teacher retraining, the changing nature of public control over the school and also the question of when new standards should be the implemented. Special attention is paid to the basic curriculum: subjects studied at a basic or advanced level; the need to reduce the number of existing subjects; rationality of the choice of subjects, which are assumed to be compulsory by the standards. Author also notices that one of the strengths of the new standards is moral and personal development of students.
This article advances the idea of cultural and individual values being connected to each other not directly, but through the consciousness and activity, which presupposes the integral unity of cultural-historic methodological approach and the activity methodological approach in psychological researches. Activity effects mainly on forming of the consciousness and personality: it underlies them. In the cultural-historic approach such basis, in a way, a unit of analysis of consciousness and personality, is a value-oriented experience. The necessity of integration of the activity approach with cultural-historic approach lies in the integral ontology of psyche, behavior, activity, experience, sense, consciousness, personality, culture and its values.
In the Soviet Union of the 1920s, the most prominent avant-garde artists were eager children's book illustrators. Reaching a mass audience of unformed, malleable young people appealed to their commitment to an art manifesto based on the creation of a new kind of person for the revolutionary age. At the same time, the opportunity to work for good pay along with a low risk of censorship were practical attractions. The Constructivist artists drew considerable attention in the West for their brilliant creativity in using geometric designs, machine-age forms, and an architectural sense of space in their approach to the visual arts. Rejecting easel painting as a passe bourgeois preoccupation, they turned to designing and mythologizing objects of everyday use. In a major reassessment of their work, Evgeny Steiner forcefully demonstrates that the Constructivists were as committed to implementing Utopia - regardless of the human cost - as their establishment counterparts. Basing his work almost completely on primary sources - Russian picture books from the Russian State Library, private collections, and publishers' archives - Evgeny Steiner tells his story in deft prose with a wry sense of humor. The solidness of his sources, the range of his interests, and the depth of his understanding of Russian life combine to make this an unusually perceptive book on a fascinating cultural issue that combines the visual arts, literature, and politics.