Кинорежиссер № 5 (Чеслав Сабинский до 1917 года)
The paper focuses on pre-revolutionary films directed by Cheslav Sabinsky who has been considered as a "secondary film director". The author argues that Sabinsky who had invented "utrarealistic style" played an importat role in pre-revolutionary cinema. Only Gardin, Protazanov, Chardynin and Bauer might have been superior, that is why Sabinsky is considered to be "film director no 5".
By depicting the Nevsky prosprect cinema palaces the article explores early history of the Russian movie theatres. At the beginning of the century film production and cinemas were connected tightly and lived a single life. Thus it is argued that the study of early cinemas is not only study of local lore, but first of all of the history of cinema.
This article is dedicated to the first Russian film journal, Sine-Fono, which was published from 1907 to 1918. Sine-Fono was a leading periodical for more than ten years and it played a crucial role in the pre-Revolutionary cinematic process. The journal Sine-Fono is interesting not only as a key fact of the history of early Russian cinema, but also as an extremely important source for its study: since the overwhelming majority of pre-Revolutionary Russian films have not been preserved, historians must judge this period in Russian film history primarily by means of the film press. The article also describes the fate, both before and after the Revolution, of the founder and constant editor of the journal, Samuil Lur’e.
The paper is focuses on Andrey Platonov's screenplays and on screen versions of his prose. Platonov wrote both for silent cinema and for talkies. The thesis statement of the manuscript is that silent cinema aesthetics is closer to Platonov's sophisticated style. The most successful screenversions are strongly connected with it.