On Progressive Identity and Internal Colonization: A Case Study from Russia
This article analyzes how the ‘progressive’ imagination of democratically minded intellectuals in Russia discursively produces the internal ‘other’ – Vladimir Putin’s supporters – as a singular monolithic subject whose ‘underdeveloped’ intellectual condition is judged against an imagined scale of human progression. Discussing the case study of a Russian independent radio station Echo of Moscow, the author argues that its democratizing anti-Putin discourse is organized along the lines of a mythological narrative well known since colonial times: struggle between ‘moderns’ identifying themselves with progress and ‘barbarians’ whose barbarian identity is ascribed to them by modernizers. Drawing on postcolonial and media studies, the author suggests that antidemocratic divisions into ‘civilized’ wedom and ‘underdeveloped’ theydom are unavoidable until we realize the full extent of the enslaving potential of the progressive narrative of the Enlightenment.
This paper is concerned with patterns of mobilization of the radical left-libertarian movement (RLLM) groups in contemporary Russia and how these patterns correspond to general features of the country’s political sphere. On a theoretical level, the concept of political opportunity structures (POS) will be engaged and critically discussed in order to understand the relationship between the state’s approach to non-institutionalized, contentious politics and the contents and forms of protest action by RLLM groups. Empirically, the chapter analyses data on protest events in order to produce insights into mobilization patterns of radical left-libertarian actors in contemporary Russia.
The purpose of this article is to analyze the features of a modern social movement from the perspective of social capital as a combination of knowledge, skills and social practices, existing and reproduced in social networks. First we will discuss the social and historical context of societies in the era of late socialism when the groups of people interested in folklore and traditional folk culture began to appear. We will also discuss some features of the folklore lovers’ community as well as its features as a social movement aimed at the study, rebirth and spread of ethnomusical traditions. Further, we will discuss the way cultural memory, being formed in the process of collective actions of the movement members, becomes a resource of their group identity and the basis for accumulated social capital. The study is based on an analysis of four in-depth face-to-face interviews held in 2010 and eight interviews held online in 2011 with representatives of several generations of folklore movement members, as well as on long-term participant observation.
The purpose of the Mythologies of Capitalism and the End of the Soviet Project is to show that in order to understand popular disillusionment with democratization, liberalization, and other transformations associated with the attempts of non-Western societies to appropriate the ideas of Western modernity, one must consider how these ideas are mythologized in the course of such appropriations. Olga Baysha argues that the seeds of post-revolutionary frustration should be sought in pre-revolutionary discourses on democracy, liberalism, and other concepts of Western modernity that are produced outside local contexts and introduced through the channels of global communication and interpretations of politicians, activists, and experts
The author elaborates that in the transition from a previous political system into a liberal democracy, there is an ever-present threat of the encroachment of authoritarianism into the democratization agenda. This chapter argues that the conditions for “authoritarian syndrome” can be found in the form that democratization takes and in the culture of a given transitional state. The focus here is on the latter and on the social, political, and economic dynamics that can lead a transitional society to reject democratization. Russia, a transitional state where echoes of authoritarianism and great power aspirations are always on the surface of politics, is presented as a case study.
Classificating (including historical dimension) the concepts of the social movement, identifying important common features of the social movement, the wording of the generalized definition.
The article examines the impact of culture on the formation of institutions of political democracy in transitional societies. Special attention is paid to the negative influence of authoritarian syndrome on the democratization process, to the conditions of activation of the authoritarian syndrome and ways to overcome it.
Russia is a country of great complexity—eighty-nine subject regions, ethnic diversity, economic variance across regions, the power struggle of Moscow versus the regions—and multiple realities—urban versus rural, rich versus poor, and cosmopolitan versus provincial, just to name a few. Fragmented Space in the Russian Federation explores Russia's complexity and the meanings of the country's internal borders, the future of its agricultural spaces, the development of its political parties, and the effect of its federal organization.
The contributors examine stratification, citizenship, federalization, democratization, the politics of culture and identity, and globalization. These essays show how political leaders within Russia and scholars and policymakers from outside must accept the country's complexity and view uncertainty as a positive development rather than a liability. The authors explore how Russian experience can enhance theory political science, sociology, geography, and economics.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.