Арабская метафора как средство репрезентации эмоций
The article deals with a metaphor as a lexical means of the conceptual emotive category realization in speech, which is one of relevant problems profoundly and thoroughly studied in modern linguistics. The research shows the peculiarity of emotive category reflection in the Arabic Linguistic Tradition, the views of Arab philologists on a metaphor as a performer of the expressive and semantic function in speech, and it also shows the characteristic properties of the representation of emotions with the aid of this trope in Modern Spoken and Written Arabic in different functional styles of speech.
"Practice book of Arabic. Linguaphone course" is a textbook for beginners in Arabic Speaking. It is appropiate for the students, beginning studing Arabic, asa well as for all students, who intends to improve listening and speaking Arabic.
The monograph is dedicated to the research of stylistic features of Arab commercial correspondence and documentation. It introduces the linguistic peculiarities that reflect the essence of the business discourse in Arabic-speaking societies.
The book is intended for the use specialists in Afro-Asian and general linguistics, professors, instructors and students of respective higher education institutions, interpreters or anyone interested in issues related to Arab culture.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.