Русская поэзия в 1913 году. Часть первая
The article presents an overview of poetry books published in Russian in 1913.
The article dedicates the newly discovered letter of Boris Pasternak to his second wife Zinaida Nikolaevna Neuhaus, written at the beginning of the 1931. This letter, preserved only in a copy, sheds a new light on one of the author’s most important themes—the relation of art and immortality. In this document, Pasternak explains his views on the unacceptability of suicide. The letter is closely related to the autobiographical work A Safe Conduct, the final part of which was written soon after the suicide of Vladimir Mayakovsky. But it is possible to stretch a line from the letter to the late novel Doctor Zhivago. The life finals of two protagonists, Yuri Zhivago and his antipode Pavel Antipov-Strelnikov, are compared. The main protagonist dies, leaving behind his poetry. For Pasternak it is the way of continuation, “life after death”, and the symbol of creative immortality of a poet. On contrary, the suicide of Antipov is the final “end”, and it does not meet the world view of Boris Pasternak.
The article is devoted to the space of the sky and heaven in the poetry of Marina Cvetaeva and Boris Pasternak.
Football in Russian poetry
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.