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Ostrovsky’s Experience of the Creation of the European Theatrical Canon and Russian Stage Practice
P. 112–120.
Kupcova O.
Alexander Ostrovsky’s dramatic heritage has been primarily regarded as ‘slice-of-life’ plays in the Russian historico-theatrical tradition, due to the detailed descriptions of everyday life and sociopsychological characters/types it represents. The very first (and until recently the only monographic) study of Ostrovsky in a west European language was Ostrovski et son théâtre de mœurs russes (1912), by the French Slavicist Jules Patouillet,¹ which gave priority to this point of view among Western historians of literature and theater, too.
Language:
English