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Пейзажная живопись раннего Чосон: не «как?», а «почему?».
С. 122–132.
Жуматина М.-С. Д., Философия. Журнал Высшей школы экономики 2025 Т. 9 № 3 С. 303–331
The article analyzes the painting of Paul Cézanne through the fundamental relationship seeing-seen (voyant-visible), set out in the phenomenological teaching of Maurice Merleau-Ponty and conceptualized by us as the “dialectic of the seeing-seen”. For Merleau-Ponty, Cézanne had a special status as a “painter of painting”: the phenomenology of visible of Merleau-Ponty and his interpretation of ...
Added: August 14, 2025
Sharnova E., Искусствознание 2017 № 3 С. 122–145
The article concerns perception and interpretation of the special landscape type created by the Italain painter Salvator Rosa in the French painting of the 18th century. Special attention is paid to Claude Joseph Vernet and painters of his circle. ...
Added: January 14, 2018
Sharnova E., В кн.: Вдохновленные Римом. К 400-летию Сальватора Розы и Гаспара Дюге. Каталог выставки.: М.: In Artibus Foundation, 2015. С. 102–119.
Catalogue entries for 5 pictures by French painter Gaspard Dughet and 1 picture by Italian painter Crescenzio Onofri which contain attribution, date, provenance and interpretation of the works. ...
Added: October 26, 2016
Khokhlova E., Проблемы Дальнего Востока 2015 № 6 С. 156–161
This article gives an overview of the theories developed by South Korean art historians since 1970-s on origins of chin’gyongsansu – true-view landscape painting of Joseon of XVIII century. All the theories were combined into two groups; the main points and arguments of the most authoritative art historians in the field of paintings of the ...
Added: November 30, 2015
Sharnova E., В кн.: Сад: символы, метафоры, аллегории.: Памятники исторической мысли, 2010. С. 296–309.
The article concerns the heritage of Hubert Robert who was not only well-known landscape painter but played a prominent part in the history of landscape architecture in the second half of the 18th century. ...
Added: August 24, 2015