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ИМАГОЛОГИЧЕСКИЙ АСПЕКТ РАБОТЫ СРЕДСТВ МАССОВОЙ ИНФОРМАЦИИ СТРАН ЗАПАДНОЙ ЕВРОПЫ КАК ФАКТОР ФОРМИРОВАНИЯ ОБРАЗА СОВРЕМЕННОЙ РОССИИ
С. 44–51.
Moskvina Z. О.
The article discusses the features of the imagological aspect of the work of the German media. Based on the analysis of publications of modern German mass media, the evolution of the image of Russia, the role of the media and the degree of influence of the information policy on the revival of neo-Nazi sentiments in society are analyzed.
In book
М.: ФГБОУ ВО «РГУ им. А.Н. Косыгина», 2023.
Соколова Е. Н., Рудаков А. Б., Repina E., Вестник Томского государственного университета 2026 № 522 С. 119–129
На основе анализа более двух миллионов сообщений в социальных сетях, практики патриотического активизма в социальных сетях, а также данных интервью с представителями «служащих» профессий, выявлены факторы развития деятельностной компоненты патриотической идентичности. Сделаны выводы о ключевых мотивациях, роли личностных факторов и социализации в формировании социального капитала, а также о связи служения со значимыми ценностями – семьей, ...
Added: May 23, 2026
Orlovskaya M., В кн.: Восточная Европа в древности и средневековье. Чтения памяти члена-корреспондента АН СССР В.Т. Пашуто. Выпуск XXXVIII. Будущее в настоящем: предсказания, знамения, видения, сны.: М.: ИВИ РАН, 2026. С. 161–166.
This chapter examines how the pragmatics of a source shapes the construction of a regional ruler’s image, drawing on three Old Norse texts that describe the participation of the Orkney earl Sigurðr Hlǫðvisson in the Battle of Clontarf (1014): Orkneyinga saga, Njáls saga, and Þorsteins saga Hallssonar. The Battle of Clontarf was conceived by the medieval tradition as ...
Added: May 14, 2026
Medakin S., Новое прошлое 2026 № 1 С. 129–147
The article deals with the peculiarities of the representation of history and culture of the XIX century on the pages of the magazine “Krokodil” in 1941–1945. It was the 19th century, excluding the events of the 20th century, that received the most coverage in “Krokodil” during this period — a little less than a third ...
Added: May 1, 2026
Гвоздин М. М., Rodkin P. E., Знак: проблемное поле медиаобразования 2026 № 1(59) С. 27–38
The article is devoted to identifying the specifics of the business models of music companies in South Korea, their work with artists, as well as the restrictions imposed by the industry on idols. An idol is a professional artist who has undergone systematic training in an entertainment agency and performs the function of a comprehensive ...
Added: April 23, 2026
Nikishina E., В кн.: Говорящий и пишущий: К 100-летию со дня рождения Татьяны Григорьевны Винокур.: М.: Институт русского языка им. В.В. Виноградова РАН, 2024. С. 238–258.
The book is dedicated to the memory of a remarkable Russian language scholar, Tatyana Grigoryevna Vinokur (1924–1992). The range of issues addressed in the collected scholarly articles reflects the breadth of Tatyana Grigoryevna's research interests: the history of language, poetics, the language of fiction, stylistics, speech culture, problems of communication studies, and many other topics. ...
Added: March 8, 2026
Kolesnik N. A., ЭКО 2026 Т. 56 № 1 С. 161–177
This article analyzes the use of advertising and communications potential by large retail chains to foster consumer environmental awareness and promote responsible consumption among the population. The study was conducted using a database of social media communications from major grocery retailers for 2015–2024 and an engagement rate formula adapted by the authors to the specifics ...
Added: February 17, 2026
Филатова О. Г., В кн.: Социальная теория и PR.: М.: Издательский дом НИУ ВШЭ, 2024. Гл. 3 С. 274–309.
В главе представлено влияние символическго интеракционизма на теорию и практику связей с общественностью. ...
Added: February 3, 2026
Antsygina A., Theory and Decision 2025
We study optimal information disclosure in static contests where contestants are initially uninformed about their values of winning but can learn them, publicly or privately, from a designer. The designer, who maximizes total effort, chooses a disclosure policy and commits to it before observing the realized value profile. A key feature of our model is ...
Added: February 2, 2026
Рябов О. В., Уральский исторический вестник 2019 № 3 С. 84–92
The article deals with analysis of the images of the Nazi Germany women created by the Soviet propaganda during the Great Patriotic War by means of satirical graphics. The base of the research is the caricatures published in the “Crocodile” magazine in June 1941 - May 1945. The author demonstrates that the comic images of ...
Added: January 28, 2026
Рябова Т. Б., Вестник Волгоградского государственного университета. Серия 4: История. Регионоведение. Международные отношения 2024 Vol. 29 No. 1 P. 16–25
Introduction. The article is the first to study the use of the symbol of childhood by the USSR and the USA songs for the representation of Cold War issues. Methods and materials. Based on the methodology of constructivism, the author analyzes the reasons for the politicization of the image of childhood and the role of ...
Added: January 28, 2026
Рябов О. В., Quaestio Rossica 2020 No. 2 P. 536–550
This article deals with the US Cold War cinematographic construction of the Soviet enemy. The researcher focuses on the means of dehumanising the communist enemy, external and internal, by equating it to a machine. The author applies Nick Haslam's dual model of dehumanization (2006), according to which dehumanization is visible in two main forms: animalistic, ...
Added: January 28, 2026
Рябов О. В., Journal of Cold War Studies 2017 No. 1 P. 193–219
Analyzing Soviet films and film criticism from the late Stalin period, this article shows how Soviet cinematographers exploited gender discourse to produce Otherness. Cinematic representations of U.S. femininity, masculinity, love, sexuality, and marriage played an important role in constructing external and internal Enemies. Cinematography depicted the U.S. gender order as resulting from the unnatural social ...
Added: January 27, 2026
Рябов О. В., Диалог со временем 2021 № 77 С. 277–290
The article dwells upon evolution of the ways in which the U.S. Cold War films represented the USSR: from dehumanization of the image of enemy in 1940-1950s to deconstruction of this image in 1960s. The author applies Nick Haslam's dual model of dehumanization, aс-cording to which dehumanization is visible in two forms: animalistic by associating ...
Added: January 27, 2026
Рябов О. В., Рябова Т. Б., Studies in Russian and Soviet Cinema 2021 No. 2 P. 122–138
This article deals with an analysis of the representation of American cities in Soviet animated films of the Cold War (1946–63). The space-oriented discourse of popular geopolitics was a resource for constructing the Cold War enemy. The authors point out that the images of skyscrapers served as the main signifier of Americanness in Soviet animation. ...
Added: January 27, 2026
Рябов О. В., Куликова М. Н., Вестник Российского университета дружбы народов. Серия: Теория языка. Семиотика. Семантика 2023 No. 3 P. 719–731
The study examines how the US Cold War cinema employed linguistic means to construct images of the USSR and American communists. The research relevance is determined by: the need to study the techniques of creating the enemy image as one of the crucial issues in international relations; and the importance of the topic amidst the ...
Added: January 27, 2026
Рябов О. В., Имагология и компаративистика 2024 No. 1 P. 259–275
The article deals with an analysis of the Soviet Thaw films that contain love stories of USSR and USA citizens. Hollywood released a number of films that told the stories of love between representatives of the two hostile blocs; following the canon established in Ninotchka, they served as a part of the “struggle for hearts ...
Added: January 27, 2026