This collection of essays was published in a form of a catalogue for one of the propgrams screened at the Yamagata International Documentary Film Fstival in October 2019. The program entitled "The Creative Treatment of Grierson in Wartime Japan" was co-organized by the Yamagata International Documentary Film Festival and the National Film Archive of Japan and presented a broad variety of wartime Japanese documentaries as well as British and Soviet films that have influenced them. The collection of essays explores the development of wartime Japanese documentary cinema from variety of historical and theoretical perspectives.
This article is talking about state management and cultural policy, their nature and content in term of the new tendency - development of postindustrial society. It mentioned here, that at the moment cultural policy is the base of regional political activity and that regions can get strong competitive advantage if they are able to implement cultural policy successfully. All these trends can produce elements of new economic development.
This book pulls together experts in the fields of economics and Russian culture, all participants in the Samuel P. Huntington Memorial Symposium on Culture, Cultural Change and Economic Development, a follow-up to the 1999 Cultural Values and Human Progress Symposium at Harvard University. As the sequel to the 2001 volume Culture Matters, it discusses modernization, democratization, economic, and political reforms in Russia and asserts that these reforms can happen through the reframing of cultural values, attitudes, and institutions.
Belarusian Yearbook 2013 presents a comprehensive analysis of the key developments in the main sectors of the state and society. Since its inception a decade ago, the Belarusian Yearbook has evolved as a crucial annual initiative of the Belarusian analytical community to compile, conceptualize and present a chronicle of Belarus contemporary history. Contributing to Belarusian Yearbook 2013 were independent analysts and experts, as well as specialists representing varios think tanks, including the Belarusian Institute for Strategic Studies (BISS, Vilnius, Lithuania), the Research Center of the Institute for Privatization and Managment (Minsk, Belarus), NOVAK Axiometrical Research Laboratory (Warsaw, Poland), the Belarusian Ecomomic Research and Outreach Center (BEROC, Minsk, Belarus), the Center for Eastern Studies (Warsaw, Poland), the expert community of Belarus Nashe Mnenie (Our opinion), the Agency of Humanitarian Technologies, the Independent Institute of Socio-Economic and Political Studies (IISEPS), eBelarus Research Center, Agency for Social and Political Expert Appraisal.
In this article. the author tries to argue about how you can consider Soviet culture monolithic and not suggesting for the artist and the intellectual for any deviations from the official line.
It would seem that the totalitarian regime creates all the condition for eliminating the independent search for the individual style, nevertheless, in the depths of a totalitarian culture, resistance practice may appear.
The author gives a number of examples of such resistance in Soviet culture.
A survey of the Samizdat Archive of the Institute of Eastern Europe in Bremen. Introductory texts and annotated catalogue.
The paper examines a rare explored phenomenon of Soviet cover design –a number of official releases produced by the only recording concern Melodija on the one hand, and so-called “tape-albums” became widespread among underground people in the late Soviet Union, on another.