Non-causative effects of causative morphology in Chukchi
The paper considers semantic structure of emotion causatives and their interaction with negation, namely, its narrow or wide scope. Emotion causatives are defined as a group of causatives with their specific semantic properties that distinguish them from other groups of causatives. One of those properties concerns their relation with corresponding decausatives, which, unlike causatives, do not license wide scope of negation. There are several factors that enable negation to have scope over the causative element in emotion causatives – their imperfective aspect, generic referential status of the causative NP phrase, agentivity and conativity of the causative. Non-agentive causatives never license the negation of the causative component. Agentive conative causatives license the negation of the causative component more frequently and easily than agentive non-conative causatives, prompting the assumption that in their semantic structures the causative component has different statuses (assertion in the former, presupposition in the latter). It also has different forms for conatives and non-conatives. Conativity vs. non-conativity of emotion causatives is related to the emotion type, with conative synthetic causatives being limited to basic emotions. The greatest degree of conativity and, hence, the assertive status of the causative component characterizes three emotion causatives – zlit’ ‘to make mad’, veselit’ ‘to cheer up’, and pugat’ ‘to frighten’.
Key words: causative, decausative, agentive, conative, intentional, presupposition, assertion, semantic structure, basic emotions
In the paper I consider the causative constructions in Russian. I examine the use of tense and aspect in constructions with the verbs zastavit’ / zastavljat’ ‘make’ and pozvolit’ / pozvoljat’ ‘let, allow’. I also include the verb delat’ / sdelat ‘make’ in my analysis, though this verb has special syntactic and semantic characteristics.
The striking feature of the causative constructions with eventive subjects is that the tensed forms and temporal adverbs in these constructions do not obligatorily refer to the causing situation. The tensed forms and adverbials sometimes refer only to the caused situation.
I assume that it is the nature of events vs. participants that is responsible for these distinctions. Each dynamic event is associated with some result. I have shown that in some cases what the tense of the causative verb and temporal adverbials refer to is the result of the causing event, and not the causing event in the narrow sense.
The paper considers morphology, morphosyntax and semantics of causative formation in Agul, a Lezgic language of Southern Daghestan (Russia). In Agul, the two most frequent causative patterns, periphrastic and compound causatives, apparently share one source of grammaticalization. The former are combinations of ‘do’ with the infinitive of the lexical verb, while the latter put them together as two bound stems. However, semantically 'do'-compounds belong with non-productive causatives (labile verbs and lexical causatives) and are opposed to fully productive periphrastic causatives. All non-productive causatives – only available for intransitive verbs – have parallel periphrastic ‘do’-causatives, the distinction between the parallel forms conveys the semantic contrast of direct vs. indirect causation. The paper makes an attempt at decomposing these typological categories into simpler components (intentionality, physical interaction, event structure), and provides a detailed semantic analysis of labile verbs and semantically irregular causatives. Periphrastic causatives are peculiar in their own way: they may introduce locative or ergative Causee, the choice depending on the degree of the Causee's control over the caused situation. Basing on this morphosyntactic variability, we argue that periphrastic causatives are intermediate between bi- and monoclausal constructions.
The volume is dedicated to Viktor Khrakovsky's 80th anniversary. Viktor Khrakovsky is among the most prominent Russian typologists. He was among the creators of Peterburg typological school. The volume includes papers in typology, Russian lingusitics, Arabic studies and other domains of linguistics.
The paper proposes a functional survey of aspectual categories in the ‘core’ Chukchi-Kamchatkan languages Chukchi, Koryak and Alutor. It is based primarily on the existing corpora of these languages. The data from corpora, grammatical descriptions and text collections are reconsidered in terms of elementary aspectual meanings and their clustering. Based on an intragenetic typological analysis, some more vs. less stable elements of the aspectual system are isolated, and their probable functional evolution is discussed. The paper briefly considers the interaction of aspectual meanings with other verbal categories: the future tense, the unwitnessed past, and negation. аспект, перфект, перфектив, эвиденциальность, результатив, имперфектив, будущее время, чукотский, алюторский, корякский aspect, perfect, perfective, evidential, resultative, imperfective, future, Chukchi, Alutor, Koryak
An attractor, in complex systems theory, is any state that is more easily or more often entered or acquired than departed or lost; attractor states therefore accumulate more members than non-attractors, other things being equal. In the context of language evolution, linguistic attractors include sounds, forms, and grammatical structures that are prone to be selected when sociolinguistics and language contact make it possible for speakers to choose between competing forms. The reasons why an element is an attractor are linguistic (auditory salience, ease of processing, paradigm structure, etc.), but the factors that make selection possible and propagate selected items through the speech community are non-linguistic. This paper uses the consonants in personal pronouns to show what makes for an attractor and how selection and diffusion work, then presents a survey of several language families and areas showing that the derivational morphology of pairs of verbs like fear and frighten, or Turkish korkmak 'fear, be afraid' and korkutmak 'frighten, scare', or Finnish istua 'sit' and istutta 'seat (someone)', or Spanish sentarse 'sit down' and sentar 'seat (someone)' is susceptible to selection. Specifically, the Turkish and Finnish pattern, where 'seat' is derived from 'sit' by addition of a suffix-is an attractor and a favored target of selection. This selection occurs chiefly in sociolinguistic contexts of what is defined here as linguistic symbiosis, where languages mingle in speech, which in turn is favored by certain demographic, sociocultural, and environmental factors here termed frontier conditions. Evidence is surveyed from northern Eurasia, the Caucasus, North and Central America, and the Pacific and from both modern and ancient languages to raise the hypothesis that frontier conditions and symbiosis favor causativization.
The article explored the history of Chukotka's people during the late Tsarist and early Soviet periods focusing on regional interaction patterns between indigenous and non-indigenous actors, and their change after the establishment of the new regime. The restriction and ultimate abolition of free trade in the region resulted in dissatisfaction voiced by Chukotka's pre-Soviet elites. Much attention was devoted to individual actors who were members of the regional transcultural elites during the period under study such as Frank, a Luoravetlan (Chukchi) shaman from Uelen and possibly Rytkheu's grandfather, and several non-native traders who integrated into indigenous societies and became part of the elites. The new authorities first compromised and negotiated with these people including them into the Soviet system of self-government, but then opted for excluding the pre-Soviet elites from most regional interactions. The overall policy was inconsistent and had much to do with the major shifts in Soviet politics. The article is based on the less explored indigenous and non-indigenous sources.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
The Incongruity Theory of Humor in its different forms states that the cause of laughter is the perception of something that violates our mental patterns and expectations. It seems particularly true of comic absurdity which is based on a deadpan violation of established norms of logic and convention. The current paper explores linguistic mechanisms that underlie the comic effects in the works of Mikhail Zoshchenko, one of the great satirists of Soviet Russia. Zoshchenko is well-known for his simplified writing style which imitates the language and mentality of “the simple people” while at the same time mocking the nascent Soviet officialdom and its demands for the popular accessibility of art. The paper considers Zoshchenko’s narrative through the prism of conventional implicatures (Grice 1961, Karttunen and Peters 1979, Horn 2004, Potts 2005, 2007), or meanings that are not directly stated in the utterances, but implied by the speaker; e.g. Even John solved the problem implies that it was it was not expected of John to solve it. In successful communication, implicit meanings form the shared background of conversational partners; violation of these shared norms may be used to create comical effect. One of the most conventionalized societal norms and one Zoshchenko most frequently violates is the value of human life and, hence, solemn attitude to death. The narrator in Zoshchenko’s stories repeatedly implies otherwise, thus creating a comical portrait of the mentality of Homo Soveticus. Consider a quote from “The story about a greedy dairy woman”: “So, her husband died. At first she probably took it lightly. - A-a, she thought – no big deal… But then she realized – yes, this is a big deal!... Eligible bachelors are not running around in bunches. And then, of course, she started grieving” (shift in emphasis; the cause for grief is not the husband’s death but its inconvenience for the surviving wife). The story “A restless old man” (about an old man who lives in a communal flat and falls into lethargic stupor taken by his family and neighbors for death and then after waking up really dies) is based on violating the same conventional implicature. Throughout the story the narrator implicitly creates the image of death as an inconvenient occurrence and of a deceased person as an unwanted piece of waste. The harshly comic effect is achieved by implicatures about the shallow emotional impact of death (“And then of course there is aggravation: because the room is small and here is a superfluous element”, “If my husband, this surviving idiot, ordered the hearse right away, then the wait for it would have only been three days”; “The summoned doctor reassured everybody that now the old man is bona fide dead”); by violation of semantic compatibility rules whereby the seemingly dead old man is alternately referred to as an animate being (“The dead man is lying and demanding the last tribute to be paid to him”, “The babysitter is afraid to be in the room where a dead person is living”) or inanimate object (“There is so little space that there is even nowhere to pile up the old man”; “I am going to pile him up in the hall, let him wait for the hearse there”).
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.