The article consifders the transportation priorities of Viktor Shklovsky demonstrated in his memoir book "Sentimental Journey" and justifies a hypothesis that the protagonist's usage of different means of transport correlates with the structure of the text, i. e. works as a trigger of narration.
The article reviews the history of the publication of Baratynsky’s Collected Poems (1835), the critical reception of the book, and its influence on his further literary career. Analyzing Baratynsky’s publications in 1835–1836, the author of the article assumes that the belated publication of the collection overshadowed Baratynsky’s new poetic texts in the Moscow Observer (“The Last Poet”, “Nedonosok”, etc.), and the composition of the poetic book did not allow to highlight Baratynsky’s texts of the early 1830’s and to estimate his poetic evolution.
The focus of this article is Nikolai Nekrasov's attempt to revive the legacy of Yevgeny Baratynsky, whose poetry - mainly due to Vissarion Belinsky's criticism - was not as higly esteemed in Nekrasov's lifetime as after Baratynsky's "rediscovery' in the early 20th century. It is also shows that Baratynsky's elegies could influence Nekrasov's poem "Kogda iz mraka zabluzhdeb'ia..." (1845), and ofeer an explanation of the reason why Nekrasov favored Baratynsky's poem "Priznanie" (1823, 1832-33).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.