INVESTIGATING MODERNITY THROUGH THE LENS OF A RECREATION VENUE: PLEASURE GARDENS IN LATE IMPERIAL ST. PETERSBURG AND MOSCOW
This article examines special features of pleasure gardens (amusement parks) in the late imperial Russia and demonstrates them as sociocultural phenomena. The author attempts to broaden the horizon of the urban leisure studies by addressing to the experience of amusement parks and urban history studies gained by the foreign colleagues. Pleasure gardens appeared to be remarkable phenomena in the urban space of the late imperial Russia in both, a province and capital cities. They managed to become the fin-de-siècle translators of the developing mass culture and were also a place where high culture met the low. The author stresses the significant contribution of the pleasure gardens into the leveling of the audience tastes and into the leisure democratization.
This article explores how actor-network theory has redescribed the concept of modernity. B. Latour provides a radical critique of modern rationality by undermining its basic opposition between nature and culture. What he offers instead is relational approach to techno-science. From this point of view, all the actors are initially hybrid entities, and the ontological regime of modernity emerged as an unsuccessful attempt to purify and to divide them into clearly defined 'subjects' and 'objects'. The main paradox of modern rationality is that while it was trying to produce an illusion of two different realms (nature and culture), the number of hybrids was increasing dramatically. To tackle this problem, Latour offered a quite utopian alternative - the Parliament of Things. In the end of the article, it is stated that there is a danger for ANT of being modernist itself. And it is rejection of reductionism that distinguishes actor-network analysis from the other theories of modernity.
The present chapter is dealt to the main steps of becoming and exisiting of Russian film in 1900-1990s.
This paper discusses the legacy of Nikolai Antsiferov (1889–1958), a Russian historian who suggested a unique approach to urban studies in which literature played the key role. In the first section of this paper, the genesis of Antsiferov‘s conceptions of the study of urban history and the image of the city are outlined. The second section provides an analysis of his ideas on the literary image of St. Petersburg and the theory of literary-themed guided tours, which were articulated in his works of the 1920s. The finalsection of the article sheds light on the reception and legacy of Antsiferov‘s intellectual ideas in the modern humanities and assesses its significance in the modern context of interdisciplinarity.
The series of studies collected in theis book represent different approaches of their authors to the problem of privat life in the past.
The paper observes the main patterns of youth consumption and leisure in contemporary Russia. It relies on the Russian Longitudinal Monitoring Survey of HSE, a set of nationally representative household-based surveys which includes data collected from 1994 to 2013. The data shows that by 2010 the level of youth consumption has risen along with the households’ overall income and expenditure. Since financial problems were alleviated, there was a redistribution of time between work and leisure, so youth turned to the active cultural consumption, including non-entertainment services. However, the total increase in products and services consumed went hand in hand with the rise of differentiation in the availability of durables, patterns of consumption and leisure practices.