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Об аспекте обращения к исламскому мистицизму в художественном течении хуруфийя
С. 86–97.
Ryazanova A.
The chapter is devoted to the study of the place of Islamic mystical branches in Arabic painting of the 50-70s of the XX century.
Language:
Russian
In book
М.: Издательство "МГИМО-Университет", 2021.
Nefedova O., , in: Curating Socialism. A Handbook of International Art Exhibitions 1947–1989.: Toronto: University of Toronto Press, 2026. Ch. 12 P. 131–139.
Improved political relations between the USSR and Iraq at the end of 1950s
were followed by dynamic growth in their cultural connections.
Collaboration between the two countries began immediately after the 14
July Revolution in Iraq, also known as the 1958 coup d’état, which resulted
in the overthrow of the pro-British Hashemite monarchy and the
establishment of the Iraqi Republic.1 ...
Added: June 2, 2026
Nefedova O., The Soviet and Post-Soviet Review 2025 Vol. 52 No. 1 P. 32–69
During the 1950s the Soviet Union created a dedicated exchange program intended to attract Arab artists and scholars from around the world. This educational plan was implemented in the USSR through two main strategies: by introducing propaganda and ideology into daily life, and educating art students in the artistic method of Socialist Realism. In this essay I ...
Added: December 3, 2024
Nefedova O., Maghreb Review 2023 Vol. 48 No. 4 P. 443–456
This paper will discuss the Egyptian artist Inji Efflatoun (1924–1989), whose first exhibition in Moscow in 1970 took place during the leadership of Gamal Abdul Nasser, and whose second, in 1975, was organized while Anwar Saadat was the president. They were very different in content, structure, complexity, and ambition, and probably in the political and ...
Added: November 7, 2023
Nefedova O., Journal of Contemporary Iraq and the Arab World 2021 Vol. 15 No. 1-2 P. 103–119
The first Iraqi undergraduate and postgraduate students to study monumental art came to Moscow in the early 1960s. Mahmoud Sabri (1927–2012) joined the Vasily Surikov Moscow State Academic Art Institute in 1960, Shams al-Din Faris (1937–83) and Ahmed al Numan (1939–2013) joined the Moscow State Stroganov Academy of Industrial and Applied Arts in 1961. In ...
Added: November 2, 2020
Nefedova O., Stedelijk Studies 2019 No. 9 P. 1–16
During recent decades, interest in different facets of contemporary Arab art has significantly increased. Although recent developments have played a key role in bringing Arab art into wider focus, gaps remain in scholarly discussions, such as the subject of Arab art and artists in the Soviet Union—a cultural transfer and migration of ideas across time ...
Added: May 19, 2020