In book
Wien: Peter Lang, 2011.
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About readers of Russian modernis and popular magazines, 1900 - 1910
Added: Nov 21, 2014
Абелюк Е. С., Поливанов К. М. Кн. 1: Начало ХХ века. М.: Новое литературное обозрение, 2009.
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М.: Культурная революция, 2009.
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Вострова Г. А. Театр. Живопись. Кино. Музыка. Альманах. 2012. № 3. С. 39-50.
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Bodrova A. S. Literary Studies. WP BRP. Высшая школа экономики, 2016. No. WP BRP 18/LS/2016.
The study is focused on narrative specific of Baratynsky’s “unexplained” tale “Persten” (The Ring) in comparison to, on the one hand, the material assembled within the frameworks of HSE project Russkaja Povest 1825–1850, and, on the other, taking into consideration the material of previous period (the first third of the 19th century). Using the research facilities provided by poetics of expressiveness the author describes and defines the functions of different techniques concerning the plot, composition and narrative. The author demonstrates how Baratynsky combines the widespread plots (‘magic ring’, ‘devil in love’, ‘adultery’, etc.) in a very complicated narrative model that diminishes the power of every plotline and deceives readers’ expectations. Using the database of most frequent plots (“Russian Tale, 1825-1850”, 800 texts), the paper compares “Persten” with typical and very rare plot schemes and demonstrates that Baratynsky’s tale manifests the marginal line of Russian fiction which mainstream came to choose another direction.
Added: Dec 15, 2016
Андреев М. Л. В кн.: Культура Возрождения. Энциклопедия. Т. 2. Ч. 2. М.: РОССПЭН, 2011. С. 449-451.
Added: Apr 17, 2013
Цветкова М. В. Вестник Нижегородского государственного лингвистического университета им. Н.А. Добролюбова. 2007. № 1. С. 236-245.
Added: Dec 4, 2012
Dobrohotov A. L. Humanities. HUM. Basic Research Programme, 2013. No. 15/HUM/2013.
This paper explores the implications of the central episode of the second part of «Faust» - the story of Faust and Helen of Troy’s marriage - and shows that the episode contains a more positive concept of the history of European culture than the conclusion of the tragedy.
Added: Mar 28, 2013
Лифшиц А. Л., Ленчиненко М. В. В кн.: Рукописи. Редкие издания. Архивы. Из фондов Отдела редких книг и рукописей Научной библиотеки МГУ. Вып. 9. М.: Издательство Московского университета, 2013. С. 326-329.
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Tulyakov D. Literary Studies. WP BRP. Высшая школа экономики, 2016. No. 13/LS/2016.
This article considers Wyndham Lewis’s autobiography Blasting and Bombardiering (1937) as an instrument for reassessing modernism and representing it to the wider readership of popular literature. Lewis’s employment of autobiography to conceptualise modernism and position himself within/towards it is a marked step away from his criticism where modern subjectivity, historical approach to the self, and fictionalisation of autobiography are repudiated. Such change cannot be explained only by Lewis’s pragmatic motives of raising his profile in the recent literary history and making money by catering to the audience’s taste for autobiographies. This choice of genre also reflects Lewis’s disillusionment with transformative yet detached modernism, which the First World War proved to have been utopian, but with whose aesthetic standards Lewis wanted to maintain association. In this context, the populist intent of the autobiography can be seen as a means of rethinking the failed modernist attempt at objectivity. With the help of the form of popular autobiography, Lewis playfully subjects to detachment modernism itself, undermining the assumptions of its commitment to difficulty, elitism, and autonomy and highlighting the related tensions within his own aesthetics.
Added: Feb 16, 2016
Вострова Г. А. Знание. Понимание. Умение. 2012. № 4. С. 185-192.
Added: Jan 12, 2013