The article addresses the problem of constructing of the Meyerhold’s image in the soviet theater science of 1930-1960th. For a long time this corpus of texts hasn’t been involved into the investigations. It has been proved in the article that a great many of the tendencies of the contemporary studies of Meyerhold were laid in the soviet theater science of the 1930-1960th.
The essay surveys four articles of the section dedicated to the boundaries of fiction in literature, scientific discourse, and other areas of human creativity. The section is supposed to contribute to the study of a broad range of the problem of literary theory, such as the interaction between literature and other social practices, resulting in the creation of a particulare discourse of 'reality' and 'objectivity', and the highly controversial issue of the relationship between 'material' and 'form' in the literary text.