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  • Эстетические и политические импликации "машинного субъекта" в послереволюционном авангарде и новейшей русскоязычной поэзии: наследование и отступление

Book chapter

Эстетические и политические импликации "машинного субъекта" в послереволюционном авангарде и новейшей русскоязычной поэзии: наследование и отступление

С. 341-347.
Родионова А. А.

The chapter discusses the post-revolutionary period of the Russian avant-garde, associated with forcing of the technological both in manifestations and practice, and the last decades of the Russian-language poetry, when attention to technology is comparably high. It seems important to discover their differences and how they relate to the evolution in understanding technology over the 20th century. Using the literature examples of LEF (S. Tretyakov, B. Kushner) and LCC (I. Selvinsky, B. Agapov), in this paper specific features of the machine subject are determined. There is two aspects of the machine sub-ject understanding in the literature of the post-revolutionary avantgarde: 1) as a subject of an internalized instrumentalization; 2) as a subject and an object of control. The chap-ter gives an overview of theories that affect these aspects in the late XX - early XXI century. Using an ideas analysis of how the machine subjectivity was represented during the XX century, the chapter shows the main development trends in contemporary Rus-sian-language poetry. The ambivalence of the avantgarde machine subject, which at the same time is part of the whole and controls its belonging to this whole, rationalizing technology, but at the same time affecting by it, in the modern context is giving way to the rational interpretation of the technology; in addition, nowadays technology seems to be perceived not productively, but procedurally.

In book

Эстетические и политические импликации "машинного субъекта" в послереволюционном авангарде и новейшей русскоязычной поэзии: наследование и отступление
Edited by: Т. А. Шарыпина, И. К. Полуяхтова, М. К. Меньщикова Н. Новгород: Изд-во ННГУ им. Н.И. Лобачевского, 2020.