The article concerns perception and interpretation of the special landscape type created by the Italain painter Salvator Rosa in the French painting of the 18th century. Special attention is paid to Claude Joseph Vernet and painters of his circle.
This article gives an overview of the theories developed by South Korean art historians since 1970-s on origins of chin’gyongsansu – true-view landscape painting of Joseon of XVIII century. All the theories were combined into two groups; the main points and arguments of the most authoritative art historians in the field of paintings of the late Joseon period were discussed.
The article concerns the heritage of Hubert Robert who was not only well-known landscape painter but played a prominent part in the history of landscape architecture in the second half of the 18th century.
Catalogue entries for 5 pictures by French painter Gaspard Dughet and 1 picture by Italian painter Crescenzio Onofri which contain attribution, date, provenance and interpretation of the works.