Venok. Studia Slavica Stefano Garzonio sexagenario oblata
This is a collection of essays dedicated to Prof. Stefano Garzonio, an Italian slavist, professor of the University of Pisa; the articles were written on the occasion of his seventieth birthday. The volume unites articles on Italian and Russian literatures and interconnection between Italian and Russian cultural traditions.
The dream as a cultural figuration in Richard Beerhofmann „The death Georg“ permits us to open some row of constants of the modern age in Austria. These constants are Narzissismus, aesthetic perception of the world which stylises of all living to the art object, and disregarding of the social reality. At the example the dream in the work the artistic problems of the modern age are interpreted.
The meaning of the Greek hapax legomenon "λιμβίς" has been specified with the help of its Church Slavonic translation "grivьna" (necklace).
The book contains the contributions of the 18th annual conference Franz Werfel-StipendiatInnen.
The article has been written as an essay open to discussion. Several cultural conflicts between national and religious ideological patterns in Mediaeval and modern Russian and Soviet history have been observed. The author believes that universal Christian values must have an unconditional priority in comparison to patriotic, national, and governmental goals. Christianity – as a part of the state services, combined with nationalistic and romantic ideas, was used, as the author puts forward, to bring Russian society to catastrophic consequences.
The representation of the First World War in Richard Schaukals „brass sonnets“ served the purposes of the political propaganda. The form of the sonnet, the three-part composition and the use of bombastic metaphors were subordinated to this purpose. Besides, the politicisation of the aesthetics also entails the politicisation of the art what has found her succinct picture in the „brass sonnets“.
The author provides readers with the reconstruction of the earliest stages of textual history of one of the Church Slavonic liturgical chants.
The article comprises a retrospective review and analysis of a unique experience of Andrey N.Medushevsky as the Editor-in-Chief of the “Russian History” – the leading national academic journal for the Russian history, historiography and methods of historical investigation. Focusing equally on substantive scientific debates as well as on ideological and political aspects of the current Russian historiography the author addresses the question of the identity, ethical norms and administrative regulation of the Post-Soviet professional community in order to overcome the existing contradictions and difficulties and create the new-styled standards of academic life.
The book contains the contributions of the 19th annual conference Franz Werfel-StipendiatInnen.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.