Журналистика на стыке веков: Люди и судьбы
The book analyzes in detail the "Messenger of Europe", which was in the 1800s-early 1810s the largest and most influential periodical in Russia, in which many later canonical forms of journalism were established for the first time. The magazine's position reflected the worldview of the raznochintsy-enlighteners, which explains the magazine's constant polemics with the most significant and influential figures of contemporary Russian literature, that had a distinctly elitist character. The magazine reveals the origins of the aesthetic tradition, which was partly perceived later by leftist literary critics. The work also contains a number of factual clarifications (attributions, demonstration of some new documents).
During the colonial period in the printing field 26 women worked. Eleven of them lived at the expense of the profession, 10 - were busy with the release of weeklies. These women lived in 7 colonies, in 10 cities. Five had the status of official publishers. In a short period four female publishers of newspapers were in different cities.
Women have been integral to the development of printing and journalism in North America since the earliest settlers landed in the New World . 26 women worked as printers during colonial period. The women printed in their printing officers not only newspapers, almanacs, pamphlets, broadsides, leaflets, but many blank forms. These included all types of legal documents used in the indenture of apprentices, the sale of slaves or real estate, drawing up of wills and letters of administration, ships' bills of lading, and so forth.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.