Book
Triumph der Rache: Joachim Wilhelm von Brawe und die Ästhetik der Aufklärung
The chapter juxtaposes Veselovsky’s theory of the persistence of forms with the set of critical practices known as New Historicism, and shows that both approaches exclude the possibility of new forms arising. The chapter suggests that both the oblivion of an old form and the rise of the new result from a fundamental shift in perception that occurs within the order of verbal creativity and does not lend itself to a historical-deterministic explanation.
This paper brings together several approaches for the quantitative analysis of characters in literary texts, discusses the potential of a multidimensional description beyond top characters (protagonists) and suggests an approach for typologising quantitative dominance relations within the cast of a drama.
The O.A. Zhukova's article presents the idea that Vyazemsky creates aesthetic canon of Russian classics, showing the process of universalization of aesthetic values in Russian culture. He consistently defended the thesis of the necessary of national literature in relationship with spiritual traditions and civil institutions of the people. The author reveals the aesthetic sense of the Vyzemsky's program, wich structural elements are the language as a form of expression of thought, historism in the formation of national literature and the ideas of the Enlightenment.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.