Ритм и язык в генезисе русской силлабо-тоники (на материале русского и немецкого стиха). Автореферат диссертации на соискание ученой степени кандидата филологических наук.
This monograph deals with problems regarding the typology of verse forms and systems, and with the use of quantitative and cognitive approaches for analyzing poetry in various languages. It generalizes theoretical and practical notions and approaches that have been elaborated by employing the so-called Russian method and describes other methodologies. The author demonstrates the principles for analyzing verse texts in various languages by using the general methodology of producing and evaluating their rhythmic notation. Verse rhythmics are examined against the background of language prosody.
Seven paradigms shamanic system effects in the treatment of the patient: 1. Dealing with the subject situation. 2. Working with the material body. 3. Working with rhythms. 4. Working with the energy body. 5. Working with Entities subtle world. 6. Dealing with soul. 7. Dealing with the situation of the subtle world.
This is the article about the Genesis of the German syllabo-tonic poetry and it is devoted to a problem of influence of Dutch versification on the reformer of the German verse, Martin Opitz (1597 - 1639). With the new lingvo-statistical method adapted for the comparative analysis of meter and prosody, we can see the new aspects of such influence. The Dutch verse influence is observed in rhythmical tendencies of an early German iambic poetry.
The article describes the structures and principles of translations made by F. Fiedler.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.