Творчество В. Ф. Ходасевича и русская литературная традиция (1900-е гг. - 1917 г.)
In the article the author analyses Dඈඌඍඈඒൾඏඌඒ´s story “Bobok”, which concerns the idea of relationship between life and death. The text describes living of people who don´t die, or rather who are already dead in their lifetime. The story follows up the topic used in the prior prose “Notes from the Dead House”. Particularity of the story “Bobok” is based on the impossibility of a dialogue between “a body and a soul” in a sense of the medieval tradition – here souls are rotting together with bodies, their corporeal life continues after the death. It is a specifi c image of immortality (life after life) and one of the most dreadfull metaphor of the life in Russia. The author percieves his work also as a dialogue between Dඈඌඍඈඒൾඏඌඒ and Pඅൺඍඈ.
The book describes the problem of transition of different structures of literature in the austrian literature.
The paper proposes a cultural-historical periodisation of V. P. Zinchenko's life and activity, presenting an integral outline of his interests and his diverse contributions to contemporary science and culture. The principal aspects of V.P. Zinchenko's creative approach to science are described in comparison with encyclopaedic approach of the Renaissance era. The paper also presents a view of his original philosophic and psychological system set against the backdrop of the 20-21st century human sciences, and its more specific aspects, including his developments of the activity theory in general psychology, and his systemic psychological theories describing the interactions between image and action, intelligence and emotion, consciousness and reflexive activity, creativity and intuition. V.P. Zinchenko's scientific works can be characterised as a union of fundamental research and its practical implementation in the fields of systems engineering and management, ergonomics and design, pedagogy and education, literature and culture.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.