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Regular version of the site
Of all publications in the section: 8
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Article
Старусева-Першеева А. Д. Вестник ВГИК. 2014. № 4 (22). С. 126-135.

Video art is a hybrid acquiring the means and goals of both contemporary art and the arts of screen. It brings together different ways of perception working both in a manner of a movie which transfers the viewer into virtual daydreaming (Matthew Barney, Steeve McQueen), and in a manner of a painting or sculpture which gives a viewer some intense corporal experience (Tony Oursler). Accordingly, there are two ways of presenting video art: a “white cube” and a “black box”.

Video today is an indispensable figurant of any serious exhibition of contemporary art and it is defined as an artistic (not cinematic) media. Traditionally video is being exhibited in a “white cube” of a gallery; however, there is now a strong tendency to present video art in a “black box”, in a “cinematic” way. It’s getting harder and harder to see the edge between video art end experimental film. Perhaps the very strategy of presentation of video today may help this media to retain identity or to lose it.

Added: Oct 13, 2015
Article
Старусева-Першеева А. Д. Вестник ВГИК. 2015. № № 3 (25). С. 82-91.

The phenomenon of a one-shot video art is viewed in this article as a specific narrative structure, persuading a spectator not to concentrate on the actual meaning of a video but to plunge into variety of interpretations. Author analyses the specific features of design in a one-shot videos and the means of expression such a structure can provide. Author argues that omitting the basic cinematographic sign figure of editing may give artist an opportunity to depreciate the story-line and install a particular communication with a viewer who becomes not a passive recipient guided by a director but an active interpreter of the visual text, a co-author of a video.

In the first part of the article author defines the term “significant absence of editing” and determines the range of videos analyzed. She outlines three types of one-shot videos concerning its content and qualities.

The second part of the article is devoted to analysis of representative videos of all three types and makes conclusion about the way each affects a spectator. Author uses the methodology of film studies together with semiotics and psychology of perception.

Author argues that significant absence of editing should be regarded as an artistic technique which allows an artist to ensure the liaison with his audience, to gain attention and reinforce empathy, to make meditation more profound and open the way to a dialogue. From this point of view, author suggests, the experience of one-shot videos can be appropriated by contemporary cinema.

Added: Sep 8, 2015
Article
Марченко Ф.О., Маховская О. Вестник ВГИК. 2014. № №2 (20). С. 134-144.
Added: Oct 15, 2014
Article
Астахова Н. В., Иванов О. В. Вестник ВГИК. 2015. № 1. С. 112-127 .
The article analyzes the statistical distribution dynamics of domestic film attendance within the territory of the Russian Federation covering a five-year period (from 2009 to 2013). The authors point out four distribution categories and six subcategories for films in accordance with their attendance at cinemas. Comprehensive analysis of the films grouped into each category allows to make conclusions concerning a progression of absolute measure of domestic film attendance and increase its relative share in the total amount of distribution.
Added: Jul 13, 2015
Article
Гордин В. Э., Эльканова Е. М. Вестник ВГИК. 2016. № 4 (30). С. 136-144.

The article looks into the activity of organizations involved in holding film festivals and prize ceremonies. Analyzing the ways of overcoming the so called “pulsating effect”, the author reveals the flaws characteristic of certain structures functioning in this field, determines the array of issues in event-based management and marketing and suggests the methods of improving management practice.

Added: Oct 22, 2016
Article
Эльканова Е. М., Гордин В. Э. Вестник ВГИК. 2017. № 1 (31). С. 130-138.

The article looks into the activity of organizations involved in holding film festivals and prize ceremonies. Analyzing the ways of overcoming the so called “pulsating effect”, the author reveals the flaws characteristic of certain structures functioning in this field, determines the array of issues in event-based management and marketing and suggests the methods of improving management practice.

Added: Feb 27, 2017
Article
Дзялошинский И. М. Вестник ВГИК. 2011. № 9. С. 122-130.

The article (Continued from #8) deals with the issues connected with the impact of the interior institutional, cultural and communicative matrices on the functioning of Russian media and television in particular, as the most popular and influential resource of public communication. The author reveals the link between institutional matrices, defining the life of the society in general, communicative matrices, regulating social communication, and media matrices setting the limits of professional activity in the sphere of television.

Added: Sep 13, 2012
Article
Дзялошинский И. М. Вестник ВГИК. 2011. № 8. С. 110-122.

The article examines some issues connected with the impact of the interior institutional, cultural and communicative matrices on the functioning of Russian media and television in particular, as the most popular and influential resource of public communication. The author reveals the link between institutional matrices, defining the life of the society in general, communicative matrices, regulating social communication, and media matrices setting the limits of professional activity in the sphere of television.

Added: Sep 13, 2012