This paper contains the findings from the areal and typological research of the systems of cardinal numeral in the languages of the Caucasus. It is based on the structural analysis (which isn’t a phonetic or etymological comparison) of the numeral systems in the languages of the three autochthonic language families of the Caucasus (Kartvelian, East Caucasian and West Caucasian) and in some non-autochthonic languages of the area (Armenian, Azerbaijani, Karachay-Balkar, Kumyk, Nogai, Ossetic, Russian, Talysh, Tat) with the focus on markers of addition.There are four types of addition markers systems in the Caucasus. This typology has been compared with the same research into cardinal numeral in the languages of the World, where five types of addition markers systems are presented. The results of the research are the two distributions of the different types of addition markers systems and some probable explanations of the difference between these distributions.
In Indonesian, numerative complex may either precede or follow the noun. In my work, I will show that two factors determine the position of the numerative complex: specificity and information structure. Information structure is also found to be significant for related constructions, i.e. those involving “floating” of numerals. I conclude that the position of numerals may be determined by compositional obligatoriness.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.