"Тоны музыки земной": Александр Твардовский об искусстве поэзии.
The article represents phonosemantic analysis of Olga Sedakova's cycle of poems «Chetyr'e Vos'mistishiya» («Four octastichs»). As the main tool we used the unified software«Letter → Phoneme» based on V.S. Baevsky and I.V. Romanova' algorithms. Combination of hermeneutics with the accurate methods hereallows to trace the connection of the lyrical plot both of the verses taken separately and as a whole cycle to the poetic sounding. It also speaks about the sound character of the work with implications.
This article examines works of contemporary Russian poetry whose creation was influenced by modern philological concepts developed to describe various poetic forms as well as processes taking place in poetry and, more broadly, in language at large. The focus is on four different practices of using philological scholarship, along with associated prosodies, tendencies, ideas and methods involved in the creation of poetry – as adopted by Lev Loseff, Aleksandr Kondratov, Sergey Biriukov, and Arkady Shtypel. Such poetic adoption of poetological and philological ideas in poetic practice is defined as “metapoetology.”
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.