Новая планка исследователям (Рецензия на книгу: Андрей Белый. Автобиографические своды: Материал к биографии. Ракурс к дневнику. Регистрационные записи. Дневники 1930-х годов. Составление: А. Лавров, Дж. Малмстад. — М.: Наука (Литературное наследство. Том 105), 2016.)
Lyrics of Russian Symbolism initially has a reflexive nature, which consists not only in the prevalence of philosophical lyricism and in the choice of predecessors, but also in understanding poetic feeling as a kind of cognitive experience, as well as in the process of specific sorting and cyclization, and then combining cycles into the whole of reflexive lyric autobiography. Exploring the lyrics as a form of thinking, Andrei Bely comes to his concept of “rhythmic gesture” and to the practice of calculating the “rhythmic curve”, which he builds not only for individual works, but also for whole lyric biographies, including his own. Nevertheless, the rhythmic curves of his own poems, made by Bely, were not previously published. Perhaps it was during the analysis of his own poems that Bely in the mid-1920s stumbled upon its future analytical method — the “middle line” method.
The study concerns the bizarre notion of the "Aryen" symbolism formulated by H.St. Chamberlain, and most probably used by Andrey Bely in his famous collected articles "Symbolism" (1910).
The article investigates N. Gumilev's attitude to A. Belyj.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.