• A
  • A
  • A
  • ABC
  • ABC
  • ABC
  • А
  • А
  • А
  • А
  • А
Regular version of the site

Article

«Интеллектуальные песни»: неоплатонизм в трудах А.А. Тахо-Годи.

Вопросы философии. 2017. № 10. С. 64-71.

The article discusses the historical image of Neoplatonism as it emerges in the works of A.A. Takho-Godi based on the analysis of Proclus’ hymnography and the history of the notion of “symbol.” Neoplatonism is presented as a historically localized phenomenon viewed both from the outside, from other cultures, and from within the classical antiquity itself. Moreover, in some cases, Neoplatonism even conflicts with or the very least engages into a counterpoint dialog with its own cultural milieu. Therefore, a “reading” of Neoplatonism is only possible through a reconstruction of the entire organics of the era. Yet, as A.A. Takho-Godi demonstrates, this is precisely what makes the spiritual experience of Neoplatonism necessary for heterogeneous cultures that both create their own boundaries and recognize the imperative to overcome them. The very research methodology adopted by A.A. Takho-Godi allows arriving at the noted results; it is marked by such qualities as logistic rigor and philological care; crucially, it entails considering the subject of analysis in its specific historic and cultural context that excludes any reductions or universalizations. The article characterizes this method as one of the possible “third ways” of the historical and philosophic analysis; it was developed by A.F. Losev; A.A. Takho-Godi elaborated it and applied to specific phenomena of the classical antiquity.