Рец.: Шафранская Э.Ф. «Современная русская проза (мифопоэтический ракурс)»: учебное пособие. М.: Ленанд, 2015. 216 с.
This article traces the transformation of a genre of the review, traditional for the Russian journalism. This article offers the description of the speech structure of the review, based on the semantic category of an evaluation. The contemporary review occurrs not within a discourse of culture anymore, but also as a part of political or marketing communication within media environment.
Writing and publishing in good academic English has become a critical task and an integral part of contemporary university life.
The given compellation of the materials is the reaction the numerous students’ enquiries on rules and techniques of English writing. Our desire was to list the guidelines and outline the key stages of writing process of paragraphs, essays, reviews, letters, memos, minutes, faxes, CVs, reports and articles. The hope of the authors was to enrich the understanding of English writing rules and formats in order to equip all the writers, businessmen, scholars, students, trainers with the reliable information and effective tools of writing.
It is recommended to use the materials of all the units, each containing the tips, writing strategies, samples and exercises, according to the requirements of the target group and educational environment.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.