Collection of reports made at the session of the section «Methods of teaching of art Pushkin» of the International scientific conference «A.S. Pushkin and world culture». It consisted of scientific communications (E.S. Abelyuk, etc.), methodological developments (S.V. Ivanova, etc.), description of principles of the lesson (I.I. Shelapina, etc.).
The article is devoted to the analysis of logico-semantic functions of the relators et, mais, ou, ni forming the system of coordinative conjunctions in French. The criteria permitting to separate them from other connective elements are their capability to participate in the construction of gramatically homogeneous series as well of compound sentences where the subject of the second clause is not expressed.
This manual is intended for a wide range of French language learning in secondary and higher educational institutions, courses and independently, having knowledge of the French language, appropriate to the level of the European classification A2 - B1. The proposed manual is intended for acquaintance with the realities of contemporary life in French-speaking countries and allows you to expand knowledge in different areas.
The article considers the conditions necessary for arranging educational environment, which can provide the required level of training. One of the key factors affecting the quality of education is the professional level of teachers, their ability and willingness to design their own trainingtechnologies and use non-standard methods of solving educational problems such as active learning. The article provides research on the assessment process of writing papers and project learning experiment.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.