On the Dichotomy of Corporate vs. Alternative Journalism: OWS as Constructed by Echo of Moscow
This article argues that we need to be more cautious with the dichotomy between “corporate” and “alternative” media widely accepted within critical media studies. This division can be misleading, especially if applied to non-Western societies. I explicate my argument using the case study of the Russian alternative radio station, Echo of Moscow, and analyzing its coverage of the Occupy Wall Street (OWS) protests. My research is based on a qualitative content analysis of 73 hard news pieces on OWS that Echo of Moscow released from September 17 to November 18, 2011. The results of my analysis show that Echo’s framing of the OWS was typical “protest paradigm” framing, which corporate media usually employ when covering social protests.
This paper is concerned with patterns of mobilization of the radical left-libertarian movement (RLLM) groups in contemporary Russia and how these patterns correspond to general features of the country’s political sphere. On a theoretical level, the concept of political opportunity structures (POS) will be engaged and critically discussed in order to understand the relationship between the state’s approach to non-institutionalized, contentious politics and the contents and forms of protest action by RLLM groups. Empirically, the chapter analyses data on protest events in order to produce insights into mobilization patterns of radical left-libertarian actors in contemporary Russia.
When the Iron Curtain lifted in 1989 it was seen by some as proof of the final demise of the ideas and aspirations of the radical left. Not many years passed, however, before the critique of capitalism and social inequalities were once again the main protest themes of social movements. This book provides an account of radical left movements in today’s Europe and how they are trying to accomplish social and political change. The book’s various chapters focus on social movement organizations, activist groups, and networks that are rooted in the left-wing ideologies of anarchism, Marxism, socialism, and communism in both newly democratized post-communist and longstanding liberal-democratic polities. The questions addressed include: How are radical left movements influenced by the political and social contexts in which they are situated? How do they interact with other political actors? How does contemporary radical left activism differ from “new” and “old” social movements on the one hand, and radical left parliamentary parties on the other? And what does it mean to be ”radical left” in liberal-democratic (or semi-democratic, or even semi-authoritarian), capitalist European societies today after the fall of state socialism.
The purpose of this article is to analyze the features of a modern social movement from the perspective of social capital as a combination of knowledge, skills and social practices, existing and reproduced in social networks. First we will discuss the social and historical context of societies in the era of late socialism when the groups of people interested in folklore and traditional folk culture began to appear. We will also discuss some features of the folklore lovers’ community as well as its features as a social movement aimed at the study, rebirth and spread of ethnomusical traditions. Further, we will discuss the way cultural memory, being formed in the process of collective actions of the movement members, becomes a resource of their group identity and the basis for accumulated social capital. The study is based on an analysis of four in-depth face-to-face interviews held in 2010 and eight interviews held online in 2011 with representatives of several generations of folklore movement members, as well as on long-term participant observation.
Classificating (including historical dimension) the concepts of the social movement, identifying important common features of the social movement, the wording of the generalized definition.
The celebrations marking the 20th anniversary of the fall of the Berlin Wall provoked a debate on the outcomes of the transition process in the post-communist countries, including a debate on the functioning of civil society. This provided a good opportunity for researchers to collect new data and revise the discourse on collective action and the dynamics of civil society in these countries. Jacobsson and Saxonberg's collection of essays looks at social movements, and their forms of mobilization and organization, as well as action repertoires in relation to the social context, and their success or failure. The book meets an important need in the discourse on post-communist social movements by going beyond the usual discourse about the weak and non-participatory civil society in the post-communist context. This book gives a nuanced and updated view of social movements in post-communist Europe, by looking at the cases of relatively successful mobilization, by examining groups that have often been neglected in the discourse on social movements and civil society (including animal-rights groups, racist movements and non-feminist family organizations), and by giving a deeper analysis of the different strategies that civil society organizations and groups can use. Rather than expecting social movements in post-communist Europe to follow the same patterns and operate in the same fashion as in Western Europe, this volume shows that a wider view of contentious action is needed in order to understand the variety of strategies employed by collective actors operating in this context.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.