Philology and Linguistics
Proceedings of Third Workshop "Computational linguistics and language science"
My book examines the function and development of the cult of saints in Coptic Egypt. For this purpose I focus primarily on the material provided by the texts forming the Coptic hagiographical tradition of the early Christian martyr Philotheus of Antioch, and more specifically – the Martyrdom of St Philotheus of Antioch (Pierpont Morgan M583). This Martyrdom is a reflection of a once flourishing cult which is attested in Egypt by rich textual and material evidence. This text enjoyed great popularity not only in Egypt, but also in other countries of the Christian East, since his dossier includes texts in Coptic, Georgian, Ethiopic, and Arabic. This work examines the literary and historical background of the Martyrdom of Philotheus and similar hagiographical texts. It also explores the goals and concerns of the authors and editors of Coptic martyr passions and their intended audience. I am arguing that these texts were produced in order to perform multiple functions: to justify and promote the cult of a particular saint, as an educational tool, and as an important structural element of liturgical celebrations in honour of the saint.
The given book is aimed at bachelor students for Law facultywhoo need to create a project proposal for their Final paaper. Inthis book students will find recommendations for writinf research proposals and samples of papers with detailed analysis , exercises and theoretical framework. The students will be able to present the results of their scintific studies either in oral or wriiten form.
Linguists have long classified languages according to the ways in which their intransitive subjects, transitive subjects, and direct objects align with respect to case marking and/or agreement. The two main divisions are known as the (nominative–)accusative and ergative(–absolutive) alignments. Under an accusative alignment pattern, the intransitive subject (abbreviated here as S) and the transitive subject (A: for agent, or agent-like argument) are encoded the same way (nominative), while the transitive direct object (O) is encoded separately (accusative). Under an ergative alignment pattern, on the other hand, S and O have identical encoding (absolutive) while A has its own separate case (ergative); see Comrie (1978); Dixon (1979; 1994); Manning (1996); Aldridge (2008); McGregor (2009); among others. These alignments can be expressed not only through case marking but also through agreement; S and A may determine the same agreement, in contrast to O, or S and O may license the same agreement, in contrast to A.
The book comprises study materials for learning English. It aims at developing students' communication skills which are necessary for using English in every day life and professional activities. The book provides learners with extra opportunities for developing their listening, pronunciation, vocabulary and speaking skills through the use of authentic video content selected in accordance with the requirements of the ESL course.
The resource book is a collection of twelve lessons based on a selection of TED talks about different aspects of modern life. The selected TED talks not only enhance the learners’ English language proficiency but also develop the learners’ professional competencies and expand their outlook. All the lessons have a regular structure and include exercises for developing vocabulary, listening, reading, speaking, note-taking and writing skills. A quick test has been developed for each lesson checking the student’s assimilation of the material. Through authentic models of effective communication, students build fluency to achieve academic and personal success. The resource book can be used both for classroom activities and for independent work.
The book is devoted to qualifying parts of speech: adjective and adverb.
The book is devoted to linguistic problems of professional information exchange among specialists of various fields.
This book constitutes the refereed proceedings of the 7th Conference on Artificial Intelligence and Natural Language, AINL 2018, held in St. Petersburg, Russia, in October 2018. The 19 revised full papers were carefully reviewed and selected from 56 submissions and cover a wide range of topics, including morphology and word-level semantics, sentence and discourse representations, corpus linguistics, language resources, and social interaction analysis.
"Zholkovsky’s work—vast in scope and eclectic in methodology—has long been humanizing semiotics in both the Russian and American academy, giving it a face, a sense of humor, a stake in the real worlds we live by, but never losing its structuralist bedrock. The essays collected here, which range from Pushkin to Fyodor Karamazov, Okudzhava and Sedakova, from Peter the Great’s scandals abroad to Russian literary theory and filmmaking at home, are a goldmine by leading Slavists in North America, Europe, and Russia. A huge book of brilliant nuggets, it lights up the contours of our field today while paying perfect vignette-like tribute to Alik’s long non-conformist career, as fascinating and inscrutably flexible as it was often perilous.” (By Caryl Emerson). *** “This book is a wonderful gift not only for the 'jubilee celebrant' (for AZ it is impossible to imagine this phrase without quotes), but for all of us. The variety of topics, genres and authors might seem surprising were it not for the fact that this variety reflects the character of the book’s addressee. Its content, better than any manifesto or theoretical treatise, brings us good news: that a lack of intellectual inhibition, an unrestricted field of vision, and an enthusiasm that does not cloy are all so becoming to scholarship that, in essence, has as its sole palpable subject the infinity of creative choices. I have always liked Mayakovsky’s neologism: 'Do not jubilee!' (He himself, though, was very much concerned with his own anniversaries.) A / Z is completely devoid of the sedate smoothness of octogenaric jubilees, but it has a lot of panache and a spirit of intellectual adventure, and most importantly, fun. In this, the book bears a striking resemblance to its addressee.” (By Boris Gasparov).
Scandinavian motifs, both religious and related to arts and crafts, are typically deprived of their religious content in the process of Christianization as percieved in Old Rus' literature in which myths are treated as faded histories or legends.
The Caucasus is the place with the greatest linguistic variation in Europe. The present volume explores this variation within the tense, aspect, mood, and evidentiality systems in the languages of the North-East Caucasian (or Nakh-Daghestanian) family. The papers of the volume cover the most challenging and typologically interesting features such as aspect and the complicated interaction of aspectual oppositions expressed by stem allomorphy and inflectional paradigms, grammaticalized evidentiality and mirativity, and the semantics of rare verbal categories such as the deliberative (‘May I go?’), the noncurative (‘Let him go, I don’t care’), different types of habituals (gnomic, qualitative, non-generic), and perfective tenses (aorist, perfect, resultative). The book offers an overview of these features in order to gain a broader picture of the verbal semantics covering the whole North-East Caucasian family. At the same time it provides in-depth studies of the most fascinating phenomena.
The volume presents several papers on Mehweb, a one-village language spoken in the central part of Daghestan, a republic of the Russian Federation.
Since the advent of digitization, the conceptual confusion surrounding the semantic galaxy that comprises the media and journalism universes has increased. Journalism across several media platforms provides rapidly expanding content and audience engagement that assist in enhancing the journalistic experience. Exploring Transmedia Journalism in the Digital Age provides emerging research on multimedia journalism across various platforms and formats using digital technologies. While highlighting topics, such as immersive journalism, nonfictional narratives, and design practice, this book explores the theoretical and critical approaches to journalism through the lens of various technologies and media platforms. This book is an important resource for scholars, graduate and undergraduate students, and media professionals seeking current research on media expansion and participatory journalism.
This edited collection presents a range of methods that can be used to analyse linguistic data quantitatively. A series of case studies of Russian data spanning different aspects of modern linguistics serve as the basis for a discussion of methodological and theoretical issues in linguistic data analysis. The book presents current trends in quantitative linguistics, evaluates methods and presents the advantages and disadvantages of each. The chapters contain introductions to the methods and relevant references for further reading.
The Russian language, despite being one of the most studied in the world, until recently has been little explored quantitatively. After a burst of research activity in the years 1960-1980, quantitative studies of Russian vanished. They are now reappearing in an entirely different context. Today we have large and deeply annotated corpora available for extended quantitative research, such as the Russian National Corpus, ruWac, RuTenTen, to name just a few (websites for these and other resources will be found in a special section in the References). The present volume is intended to fill the lacuna between the available data and the methods that can be applied to studying them.
Our goal is to present current trends in researching Russian quantitative linguistics, to evaluate the research methods vis-à-vis Russian data, and to show both the advantages and the disadvantages of the methods. We especially encouraged our authors to focus on evaluating statistical methods and new models of analysis. New findings concern applicability, evaluation, and the challenges that arise from using quantitative approaches to Russian data.
This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as the state spells out a new state cultural policy, aesthetics change and the state attempts to define what constitutes good taste. It examines the approaches artists are adopting to resist state oppression and to question the present system and attitudes to art. The book addresses a wide range of issues related to these themes, considers the work of individual artists and includes besides its focus on the visual arts also some discussion of contemporary theatre. The book is interdisciplinary: its authors include artists, art historians, theatre critics, historians, linguists, sociologists and political scientists from Russia, Europe and the United States.
This book aims at developing reserahc writing skills of students. The two key genres of an empirical research paper and a research proposal are used as a basis to develop researcg communication skills.
The research observes the representation of the alien city chronotope in Jazz (1992) by a contemporary American writer Toni Morrison. The narration of the novel occurs in Harlem (New York) in the 1920-s, however, because most characters’ identities originate in the mid-19th-century American South, time and space frames extend. Focusing on the city space in the novel Jazz we regard the city as a social and cultural phenomenon of America, an independent live character that enters into a dialogue with the novel’s protagonists and, at the same time, contributes to their alienation within its frames. Harlem of 1920s functions not only as sociohistorical background but also as a unique narrator that relates the urban experience of African-Americans. We deduce that the chronotope exhibited in the novel in question combines several places and embodies narration about protagonists’ roots, their original habitat and a new conflicting environment that both attracts and repels them. The intrinsic ties of time and space in the literary work discussed in the article are presented on the level of the city, which represents alien and fragmentized reality. Thus we are convinced that the alien city chronotope in the novel is shaped by the opposition of ethnic and cultural identities of characters within their changing world. The characters’ illusions and aspirations are guided by the dubious and forceful voice of the city and none of the protagonists is able to escape the traumatic labyrinth of time and space tracing their memory
The article analyses how L.Tieck understood the phenomena of the traditional narratives. The article discusses the views Tieck had upon the chapbook, and its adaptations in his works, particularly the drama based upon popular material. Three of his dramatic works of that type, «Life and death of the St. Genivieve» (1800), «Emperor Octavian» (1808) and «Fortunatus» (1815), especially the first one, initiated new genres of German Romantic drama called Universaldrama (drama of the universe), which are typologically close to mystery play. Tieck's literary program combined both the rejection of contemporary mass literature and the productive replacement of it with examples of new Romantic art. The contradiction between reality and fiction, which is accentuated in Tieck's comedies, weakens in his Universaldramen. The main theme of his plays is the interpretation of religion as a way to comprehend the world. The poet creates a kind of genre complex, where the drama of historical process is ironically removed. This is the basic principle of his two first big plays – “Life and death of the St. Genivieve” and “Emperor Octavian”. His last play, “Fortunatus” is, however, rather a generalizing "ironic construct" which combines elements of several traditional genres and, at the same time, is a parody of the genre he created.
Academic bibliography of Syriac and Christian Arabic Studies in Russian.
Basil of Caesarea’s treatment of the life of Moses in his Hexaemeron is traditionally taken to be dependent on Philo of Alexandria and the Jewish exegetical tradition. Without questioning the fact that Basil knew Philo’s Life of Moses, this paper seeks to demonstrate, however, that in this respect Basil was more indebted to Origen and his tripartite division of philosophy into ethics, physics, and epoptics. This allows not only to make a more balanced assessment of Origen’s influence on Basil, increasingly stressed in recent scholarship, but also to suggest a more nuanced interpretation of Basil’s Address to the youth and his program of the Christian paideia.
Agrammatism in aphasia is not a homogeneous syndrome, but a characterization of a nonuniform set of language behaviors in which grammatical markers and complex syntactic structures are omitted, simplified, or misinterpreted. In a sample of 71 left-hemisphere stroke survivors, syntactic processing was quantifiedwith theNorthwestern Assessment of Verbs and Sentences (NAVS). Classification analyses were used to assess the relation between NAVS performance and morphosyntactically reduced speech in picture descriptions. Voxel-based and connectivity-based lesion-symptom mapping were applied to investigate neural correlates of impaired syntactic processing. Despite a nonrandom correspondence between NAVS performance and morphosyntactic production deficits, there was variation in individual patterns of syntactic processing. Morphosyntactically reduced production was predicted by lesions to left-hemisphere inferior frontal cortex. Impaired verb argument structure production was predicted by damage to left-hemisphere posterior superior temporal and angular gyrus, as well as to a ventral pathway between temporal and frontal cortex. Damage to this pathway was also predictive of impaired sentence comprehension and production, particularly of noncanonical sentences. Although agrammatic speech production is primarily predicted by lesions to inferior frontal cortex, other aspects of syntactic processing rely rather on regional integrity in temporoparietal cortex and the ventral stream.
Relying upon the data from the Russian National Corpus, the paper studies Russian wh-exclamatives with and without predicates. Firstly, it makes a list of wh-exclamatives with each of the following eight wh-words: do čego, kak, kakoj, kakov, naskol’ko, skol’, skol’ko, čto za. Secondly, on the basis of the corpus frequencies of the established wh-exclamatives, it shows that those wh-exclamatives that involve NPs predominantly occur without predicates, whereas those wh-exclamatives that do not involve NPs predominantly occur with predicates. Thirdly, the paper reveals that without-predicates wh-exclamatives are mostly Nominative marked and their most frequent type, kakoj-exclamatives, involves either a scalar adjective or a scalar noun, if an NP lacks an adjective. Last but not least, the paper demonstrates which wh-constructions function only as exclamatives, that is, which of them are E-only in terms of Portner and Zanuttini (2003).
Narrative competence is an essential part of language proficiency. Research of narrative competence has both a theoretical and empirical value. Our study aims to assess narrative competence of adult L2 Russian learners and to investigate the relationship between their narrative competence and their language proficiency. For assessment, we used the Multilingual Assessment Instrument for Narratives adapted for the Russian language. We also designed a scale for assessing microstructure in Russian narratives. The study uses both qualitative and quantitative analysis. The results show that macrostructural narrative subcompetence of L2 Russian learners does not depend on their language proficiency (except for an ability to produce structurally shorter episodes at higher level) and microstructural narrative subcompetence of L2 Russian learners depends on their language proficiency only in some ways. Our study contributes to the theory of narrative competence in L2 acquisition.
The paper is focused on Vsevolod Meyerhold’s film “Picture of Dorian Gray”, a screen version of Oscar Wilde’s novel released in 1915. This famous film is considered to be lost, yet one can learn of it using various sources: a film script, a list of intertitres and other documents held in RGALI, a libretto, stills published in the press, film reviews and memoirs. These sources can help to reconstruct film structure. Historical context of the film will also be discussed. Meyerhold seems to have used many translations of Oscar Wilde’s novel and some theatrical adaptations of Oscar Wilde in Russia before 1915. It is argued that Basil Hallward for Meyerhold was an autobiographical character as well as Lord Henry played by Meyerhold himself. Thus Meyerhold’s approach to the novel is similar to that of Oscar Wilde’s: the writer called himself a prototype of all three main characters. “Picture of Dorian Gray” (1915) may be considered to be the portrait of its author, theatre and film director Vsevolod Meyerhold.