Постмодернистский ответ Орхана Памука на модернистский вызов Огуза Атая
The aim of this article is to examine the features of the relationship of conservatism and postmodernism. The article identified as similar and antagonistic points of views of postmodernists and conservatives, analyzed the causes of these complex relationships. The author concludes, at the moment a complete synthesis of postmodernism and conservatism is unlikely, because obvious theoretical similarity blocked no less obvious political differences between conservative traditionalism and post-modern innovation.
The article is an analysis of the intertextuality in some E. Jelinek's and F. Kafka's literary texts.
The author studies the issue of synthesis of different theories and methods used by personality self-attitude studies. The theories and methods discussed are developed within the framework of different philosophical, psychological and humanitarian sciences. The issue of self-attitude personology development based on such synthesis is brought up. Presented personological model of self-attitude is explicated from the texts by Michel Foucault and unites trans$cultural ideas of individual self-attitude. The above ideas are studied as a cultural potential of psychological studies and practice of self-attitude by a modern personality.
Article is devoted the analysis of features of use of case texts in modern media space. Features of use of case elements in various kinds of communications are considered.
The issue of the paper is the problem of intertextuality between Lucian's novel "Lucius, or Onos" and Apuleius' "Metamorphoseis"
In the article russian acmeism is considered in he context of the criticism of the 1910s
The article is devoted to the study of the paradigmatic connections of Marina Tsvetaeva’s early poetry with the German poetic tradition of the second half of the 18th century, which is based on a comparative intertextual analysis of Marina Tsvetaeva’s “The Girl Death” and J. W. von Goethe’s “The Fisherman”. The analysis uses both other works of German poetry and the texts of Marina Tsvetaeva, to create the necessary context.