Коннотативная семантика референтно однозначного имени
The paper revisits the topic elaborated in the earlier Translation Studies serial issue and suggests a diachronic approach towards reference in the interlanguage translation from within the psycholinguistics and cognitive linguistics perspectives. Reference viewed as the universal steering mechanism behind the translation process per se is believed to enable the translator's mental operations. This fact was implicitly evidenced in the respective notes by antique texts' translators who extensively reflected on their rendering of those texts into modern languages, including Russian. Source-text analysis against target language texts favored the translators' viewpoint on intricate and referentially opaque text-reality relations whereby such reality overlaps irreality comprising coexisting human beings with imaginary characters, mythical heroes, as well as real-life and fabled objects and events reflected in the source-language texts generated in high antiquity.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.