XXIII Ежегодная богословская конференция Православного Свято-Тихоновского гуманитарного университета
The chapter focuses on one of the ways to communicate with the sacred popular among contemporary Russian Orthodox believers – written appealing to the saints (letters and notes). Although not happy at all about this habit, the Church managers allow to publish these letters in the parish newspapers and web-sites and in other church mass-media. Analysis of publications of the letters addressed to Saint Xenia of Petersburg proves that the Church publishes them as a part of its advertising campaign targeted on those people who prefer irregular religiosity (pilgrimages, letters to the saint, etc) to traditional regular parish life. The chapter develops Peter Berger’s metaphor of religious market.
In this book the author explores the social, economic and legal status of the Russian lower clergy (priests, deacons and sacristans), its role in the parish life and the institutional history of the Russian parish in the 16-17th centuries. The institution of proprietary or private churches (German Eigenkirchenwesen) is analysed and compared with the analogous phenomena in Byzantium and Western and Central Europe. Special attention is given to state legislation and policy, which influenced the status of the lower clergy, and the formation of the clerical estate (dukhovnoe soslovie). Various sources have been examined: the tsar’s immunity charters, cadastres, private contracts, letters, literary works, materials from the archives of the bishop’s chancelleries etc.
The paper is dedicated to Hebrew phrases referring to God found in some Russian codices of the Pentateuch of the XV-XVII centuries. The author examines the origin of this phenomenon.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.