Kulturdialoge Brasilien-Deutschland - Design, Film, Literatur, Medien
Brazil and Germany have a "shared history" or shared stories that refer not only to the similarities and differences between the two countries, but also to cultural approaches between them despite the socio-cultural differences and geographical distance. Accordingly, the contributions in this volume highlight the German Brazilian relations in design, film, literature, and media. At the same time they discuss motivations, connections, comparisons and inspirations of these relations.
This paper describes the experience of the application of the design approach which is used in the HSE - Nizhny Novgorod in the teaching of accounting (financial) accounting, auditing, economic analysis. The stages of a complex project, as benefits of this approach and the problems that arise.
New trends, technologies and symbols of the "Design and advertisement 2013" exhibition with illustrated examples are described in the article.
This essay presents taxonomy for analyzing objects in films and applies it to the work of Canadian filmmaker, Denys Arcand. This kind of analysis aims to identify and analyze how the most representative daily objects are used in films. The following three films were analyzed for the purposes of this paper: Le déclin de l´empire américain (The Decline of the American Empire, 1986), Les invasions barbares (The Barbarian Invasions, 2003) and L’âge des ténèbres (Days of Darkness, 2007). This research was developed at Concordia University, Montreal, Canada and supported by the Foreign Affairs and International Trade, Canada (DFAIT).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.