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Regular version of the site
Of all publications in the section: 280
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Article
Зыкова Г. В. Новое литературное обозрение. 1993. № 3.
Added: Dec 17, 2011
Article
Зыкова Г. В. Новое литературное обозрение. 1993. № 3.
Added: Dec 17, 2011
Article
Степанов Б. Е. Новое литературное обозрение. 2004. № 55. С. 378-386.
Added: Nov 27, 2008
Article
Зыкова Г. В. Новое литературное обозрение. 1993. № 5.
Added: Dec 17, 2011
Article
Гасан Гусейнов Новое литературное обозрение. 2016. Т. 138. № 2. С. 338-347.

Review of the book: RHETORIC AND THE DIGITAL HUMANITIES Eds. J. Ridolfo, W. Hart-Davidson.. Chicago; L.: University of Chicago Press, 2015. — VIII, 328 p.

Added: Nov 1, 2018
Article
Лекманов О. А. Новое литературное обозрение. 2013. № 124. С. 141-173.
Added: Apr 7, 2014
Article
Лекманов О. А. Новое литературное обозрение. 2013. № 119. С. 140-174.

The article presents an overview of poetry books published in Russian in 1913.

Added: Nov 17, 2013
Article
Г.Ч.Гусейнов Новое литературное обозрение. 2017. Т. 144. № 2. С. 386-396.

Gasan Guseinov examines an example of an early anti-globalist “nativist” [pochvennicheskii] reaction to the internationalization of culture, or early multiculturalism. Using the book My Dagestan, translated into Russian by Vladimir Soloukhin, as well as the latter’s own writing, he analyzes the formation of Sovi­et postcolonial discourse.

Added: Mar 13, 2017
Article
Березина Е. С. Новое литературное обозрение. 2016. № 140. С. 355-361.
Added: Aug 30, 2016
Article
Велижев М. Б., Атнашев Т. М. Новое литературное обозрение. 2016. № 4. С. 56-60.

Mikhail Velizhev and Timur Atnashev's article is a response to Michael David-Fox's paper concerning the Russian "Modernity" as a problem. Velizhev and Atnashev analyze the concept of "Modernity" in the context of Russian Sonderweg theory. 

Added: Feb 18, 2017
Article
Саламова З. К. Новое литературное обозрение. 2016. Т. 4. № 140. С. 362-368.
Added: Oct 29, 2017
Article
Рогинская О. О. Новое литературное обозрение. 2015. № 136. С. 231-240.
This article discusses Diderot’s Paradoxe sur le comédien in the context of the issue of acting as a secular occupation, a public practice, and a crucial element of an enlightened eighteenth-century European’s identity. The significance of Paradoxe has to do with its radical rethinking of mechanisms of theatre and acting in public life, namely, with its rejection of the idea of the theatrical/role-playing nature of social behavior and its promotion of the idea of self-expression as representation of emotions. A harsh conflict between two types of acting, posited by Diderot through an argument between two interlocutors, largely serves metatheatrical purposes, attempting, in particular, to hinder the expansion of the idea of sensitivity within social and cultural spheres. - See more at: http://www.nlobooks.ru/node/6777#sthash.1qEr43Ub.dpuf
Added: Mar 17, 2016
Article
Бреслер Д. М. Новое литературное обозрение. 2016. Т. 2. № 138. С. 145-157.

Dmitriy Bresler’s article examines the genetic dossier of Vaginov’s prose of the 1920s. This dossier contains notes on the margins of the author­’s copies of Goat Song and The Works and Days of Svistonov. Vaginov was editing both novels at the same time (May-June of 1929), which resul­ted not only in improved texts, but also an inde­pendent artistic statement on the imper­meability of writing and transitivity of fictional border­s, i.e. the ambivalent pragmatic potential of literary discourse. Notes left by Vaginov on the margins of his own copies of novels indicate the dual character of the text creator (as narrator and reader at the same time) and point out the self-referen­tial pragmatics of Vaginov’s prose.

Added: Oct 15, 2019
Article
Левченко Я. С. Новое литературное обозрение. 2015. № 1 (131). С. 20-39.

The present article is devoted to the phenomenon of speech dissipation (or rather, destruction) in the films of Alexei German (1938—2013). The author considers all German’s films successively to demonstrate the changes of discourse — both regarding film characters and narrative structure. German starts from the traditional way of sound and speech that illustrate a visual event, but then comes to the idea of obstructed speech that hampers a spectator’s perception. An effect of sound chaos becomes a specific feature of German’s personal filming manner, and strongly affects the whole aesthetics of Late Leningrad (Petersburg) Film School.

Added: Mar 10, 2015