Actes du Congrès "Pluralisme et Reconnaissance" 22-24 juin 2006, Unesco, Paris. The present volume presents fully original articles, prepared for publication basing upon the texts of keynote reports presented at plenary sessions of the 9th International Congress in Philosophy and Cultural Studies, which was conducted by the St. Petersburg Branch of the Russian Institute for Cultural Studies and the UNESCO Chair for Comparative Studies of Spiritual Traditions, their Specific Cultures and Inter-religious Dialogue, functioning on the basis of the aforementioned Instiute.
The project of cultural sociology developed by Boris Dubin and his colleagues is often remained out of frames in the discussion of theirs works. Thorough consideration of the principles of cultural analysis which is based on the works of Boris Dubin and Lev Gudkov in the field of sociology of literature can give us an opportunity to reevaluate the place of this project in the history of the humanities in last decades. Ноwever the study of the evolution of the project reveals some conceptual tensions. Further discussion of these tensions seem to be useful as for the productive reception of this project as for the comprehension of the significance of Dubin’s works of 1900s – 2000s in its proliferation.
Encyclopedia includes more than 150 articles on applied cultural studies. Reflects the theoretical and methodological foundations of applied cultural studies, its tools, concepts, subject areas, etc.
The problem of negative consequences of the impact of marketing communications technologies would be in many respects solved, if the advertising community, the corporate tone was set up not just by the intellectuals, but by intelligent intellectuals, endowed with civil, and in broader terms, social and cultural responsibility. The formation of these specialists will no doubt contribute to an innovative course on "Integrated communications culturology ", which was piloted in 2013 in the HSE for the specialty "Advertising and Public Relations".
The paper focuses on emergence of contemporary popular music studies in the tradition of cultural studies, stages of this new disciplinary field formation and basic controversial issues. Traditional fields in musical studies are musicology and sociology of music, each of these disciplines developed a certain view of music covering the different sides of ‘musical’, and approaches to its analysis. Nevertheless, interest in popular music phenomenon and development the academic tools of its analysis are associated primarily with cultural studies focused on the study of contemporary popular cultural forms. For a long time status of popular music researches have been disputing by ‘traditional’ disciplines, questioning their legitimacy and scientific character. Discussions about the nature of popular music initiated by new musical researchers in the 1980s had a significant impact not only on the formation of understanding popular music as a complex cultural phenomenon, but development of new field, popular music studies. Also it significantly transformed ‘traditional’ musicological disciplines. The author examines the process of popular music studies academization and its features as interdisciplinary project, which has become the basic approach for understanding, analyzing and problematization of popular music.
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.